The best Richard Ward’s crime movies

Richard Ward

Richard Ward

15/03/1915- 01/07/1979
Today we present the best Richard Ward’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Richard Ward’s movies.

Brubaker

Brubaker
7.1/10
  • Genre: CrimeDrama
  • Release: 20/06/1980
  • Character: Abraham Cook
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.

Across 110th Street

Across 110th Street
7/10
In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

Starsky and Hutch

Starsky and Hutch
7.5/10
A young couple in a car exactly like Starsky's is killed by hitmen and word is out on the street that there's a contract out on Starsky and Hutch. This is a TV-pilot that was an ABC Movie of the Week and later turned into the TV-series.

Cops and Robbers

Cops and Robbers
6.4/10
Two disillusioned New York policemen plan a $10 million robbery to fuel their low pensions, only to run into one debacle after another in the process.

The Cool World

The Cool World
6.4/10
  • Genre: CrimeDrama
  • Release: 02/09/1963
  • Character: Street speaker
Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a sense of despair due to the racial prejudices of American society. There is no patronizing of the black race in this cinematic cry for justice. A fifteen-year-old boy called Duke is ambitious to buy a "piece" (a gun) from an adult racketeer named Priest, to become president of the gang to which he belongs, and to return them to active "bopping" (gang fighting) which has declined in Harlem. It is a clearly patent allegory of an attempt by Duke to attain manhood and identity in the only way accessible to him - the antisocial one.

Family Enforcer

Family Enforcer
5.6/10
A kid from the neighborhood goes to work for the Mafia as a collector.

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