The best Richard E. Grant’s fantasy movies
Today we present the best Richard E. Grant’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Richard E. Grant’s movies.
Corpse Bride
7.4/10
Set in a 19th-century european village, this stop-motion animation feature follows the story of Victor, a young man whisked away to the underworld and wed to a mysterious corpse bride, while his real bride Victoria waits bereft in the land of the living.
About Time
7.8/10
The night after another unsatisfactory New Year's party, Tim's father tells his son that the men in his family have always had the ability to travel through time. They can't change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.
The Nutcracker and the Four Realms
5.6/10
When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.
Warlock
6.2/10
In 17th century New England, witch hunter Giles Redferne captures an evil warlock, but the conjurer eludes death with supernatural help. Flung into the future, the warlock winds up in the 1980s and plans to bring about the end of the world. Redferne follows the enchanter into the modern era and continues his mission, but runs into trouble in such unfamiliar surroundings. With the help of a young woman, can Redferne finally defeat the warlock?
L.A. Story
6.7/10
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Penelope
6.7/10
Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soul mate when she's sequestered inside her family's estate with only her parents to keep her company. This untraditional fairy tale about a girl who bucks convention to create her own happy ending.
Spice World
3.7/10
Zany adventure that follows The Spice Girls and their entourage (mostly fictional characters) - manager Clifford, his assistant Deborah, and filmmaker Piers (who is trying to shoot a documentary on "the real Spice Girls").
The Little Vampire
5.7/10
Based on the popular books, the story tells of Tony who wants a friend to add some adventure to his life. What he gets is Rudolph, a vampire kid with a good appetite. The two end up inseparable, but their fun is cut short when all the hopes of the vampire race could be gone forever in single night. With Tony's access to the daytime world, he helps them to find what they've always wanted.
A Christmas Carol
7.4/10
Scrooge is a miserly old businessman in 1840s London. One Christmas Eve he is visited by the ghost of Marley, his dead business partner. Marley foretells that Scrooge will be visited by three spirits, each of whom will attempt to show Scrooge the error of his ways. Will Scrooge reform his ways in time to celebrate Christmas?
The Nutcracker: The Untold Story
4.1/10
Set in 1920s Vienna, this is the tale of a little girl, whose godfather gives her a special doll one Christmas Eve.
The Last Dragonslayer
5.6/10
In a fantasy world where magic is being superceded by technology, an orphaned teen discovers her destiny to become a dragonslayer.
The Spine of Night
6.4/10
In this ultra-violent, fantasy epic, ancient dark magic falls into sinister hands and unleashes ages of suffering onto mankind. A group of heroes from different eras and cultures must band together in order to defeat it at all costs.
How to Get Ahead in Advertising
6.8/10
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
Cherrywood Cannon
7.1/10
In this dark twisted fable, a desperate king creates a monument of power for his Jubilee. Cherrywood Cannon focuses on themes of control and paranoia in a land fuelled by fear. With original art by UK artist Ralph Steadman and story read by Richard E Grant.
