The best Riccardo Garrone’s western movies

A con man inherits a gold mine. Knowing that his family are even bigger con artists than he is, he assumes the mine is worthless, and teams up with a partner in a scheme to unload it on some unsuspecting chumps. However, the other members of his family discover that the gold mine is actually worth a lot of money, and they set out to take it from him before he realizes what he has.

The young Flem Mascaslim it be a hindrance to Bill Warner and, like his father did, try to get rid of it to take over his ranch. Along with his manager devises a plan: will be arrested on suspicion of robbing a bank and present false witnesses to his sentence. But the Fox manages to free the boy, putting him safely home of a friend and her daughter.

Ramon and his bandit gang launch an attack on Danger City, searching for rumoured hidden treasure and unable to find the loot either kill or take as hostage all the men, leaving only the women and children to produce the treasure or face 'Deguello' - an attack with no quarter. Four men arrive in town searching for Ramon and agree to help protect the town from the bandits.

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

Guy Madison has a high old time as a would be feudal baron in the Wild West. No one is willing to stand up to Madison and his henchmen, no one that is, except mild-mannered inventor Tom Bosley. It seems that Bosley has welded together a robot gunslinger, whom he calls "The Bang Bang Kid". Only trouble is, the "Kid" breaks down at the darnedest times. The film goes off in too many directions, but generally delivers the goods laugh-wise. (Source: SWDB)