The best Renée Soutendijk’s movies on YouTube
We present our ranking of the best Renée Soutendijk’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Renée Soutendijk.
Suspiria
6.7/10
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft. Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.
Redbad
5.5/10
In the year of 754 AD, during a time of epic battles and bloodshed, the legend of the pagan warrior king, Rebad, is born, but so is a new weapon against his people: Christianity. Redbad must ultimately unite a Viking army powerful enough to defeat the seemingly invincible Franks.
A Perfect Man
5.2/10
A philandering husband unknowingly falls back in love with his wife over the phone when she pretends to be another woman.
Forced March
7/10
Originally shot in Hungary in 1988, this new version of FORCED MARCH is even more haunting, given the re-emergence of anti-Semitism in today’s Hungary. Chris Sarandon plays BEN KLINE, an American television star and a “bankable name” who is cast to portray the Hungarian writer Miklos Radnoti, whose journal of poems was found with his body, buried in one of Hungary’s mass graves. Kline is also the son of a Holocaust survivor and has long resented his father’s refusal to speak about the War. Now given the opportunity to play the role of a hero, but faced with the reality of a victim, the boundaries between truth and illusion begin to blur. Kline’s idea of resistance begins to clash with his director (John Seitz), who rejects his impulses to fight back as unrealistic. How will Kline fulfill his role as Radnoti, and what kind of legacy will he leave in the minds of the audience, who may come to know the Holocaust only by what they see in the movies?
