The best Renée Houston’s movies
Today we present the best Renée Houston’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Renée Houston’s movies.
Repulsion
7.6/10
Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.
The Phantom of the Opera
6.4/10
The corrupt Lord Ambrose D'Arcy steals the life's work of the poor musical Professor Petry. In an attempt to stop the printing of music with D'Arcy's name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.
The Flesh and the Fiends
6.9/10
Edinburgh surgeon Dr. Robert Knox requires cadavers for his research into the functioning of the human body; local ne'er-do-wells Burke and Hare find ways to provide him with fresh specimens...
Cul-de-sac
7/10
A wounded criminal and his dying partner take refuge at an old beachfront fortress. The owner of the fortress and his young wife, initially unwilling hosts, quickly experience their relationship with the criminal shift in a humorous and bizarre fashion.
The Idol
5.3/10
The Idol is a 1966 British drama film directed by Daniel Petrie and starring Jennifer Jones, Michael Parks, Jennifer Hilary and Guy Doleman. A rebellious student embarks on an affair with the mother of his best friend, leading to disastrous consequences.
Time Without Pity
6.8/10
Alec Graham is sentenced to death for the murder of his girlfriend Agnes, with whom he spent a weekend at the English country home of the parents of his friend Brian Stanford. Alec's father, David Graham, a not-so-successful writer and alcoholic who has neglected his son in the past, flies in from Canada to visit his son on death row. David then goes on a quest to try and clear his son's name while battling "the bottle."
A Town Like Alice
7.2/10
In 1941, The advancing Japanese army captures a lot of British territory very quickly. The men are sent off to labor camps, but they have no plan on what to do with the women and children of the British.
Carry On at Your Convenience
6.2/10
This is the tale of industrial strife at WC Boggs' Lavatory factory. Vic Spanner is the union representative who calls a strike at the drop of a hat; eventually everyone has to get fed up with him. This is also the ideal opportunity for lots of lavatorial jokes...
Carry On Cabby
6.4/10
Speedee Taxis is a great success, which means its workaholic owner Charlie starts neglecting Peggy, his wife. Suddenly a fleet of rival taxis appears from nowhere and start pinching all the fares. The rivals are Glamcabs, and they have a secret weapon. All their drivers are very attractive women! Who's behind Glamcabs? It's open warfare and only one fleet can survive!
Lady Godiva Rides Again
5.8/10
Marjory Clark wins a competition in her Midland town and finds herself in a Festival of Britain procession as Lady Godiva - though not in the buff. This leads by way of a suspect beauty competition to the show-business world of London. But it could be a slippery slope for simple home-town Marge.
The Horse's Mouth
7/10
Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.
The Belles of St. Trinian's
6.7/10
The unruly schoolgirls of St Trinian's are more interested in men and mischief than homework and hockey. But greater trouble than ever beckons when the arrival at the school of Princess Fatima of Makyad coincides with the return of recently expelled Arabella Fritton, who has the kidnap of a prize racehorse on her mind. The first film in the classic comedy series.
Nurse on Wheels
6.2/10
Quietly competent young Joanna moves with her scatterbrain mother to a country village to take up her first job as District Nurse. She soon overcomes the suspicion of her patients used to someone rather older, while becoming romantically involved with a local farmer - at least until he tries to evict a newly-arrived expectant couple who park their caravan on his land.
Carry On Spying
6.2/10
Carry On favourite Barbara Windsor makes her debut in this outrageous send-up of the James Bond movies. Fearless agent Desmond Simpkins and Charlie Bind, aided and abetted by the comely Agent Honeybutt and Agent Crump, battle against the evil powers of international bad guys STENCH and their three cronies.
Old Bill and Son
5.5/10
Old Bill has grumbled his way through the trenches of the First World War. Now it is the Second and, envious of his son, Young Bill, he decides to enlist. He finally enters the Pioneer Corps, which is based near his son. When Young Bill goes missing during a raid, Old Bill shows that there's still life in the old dog yet!
Tomorrow at Ten
6.8/10
A British policeman (John Gregson) tries to find a rich man's (Alec Clunes) son before a kidnapper's (Robert Shaw) time bomb blows.
And the Same to You
5.4/10
Dickie Dreadnought is the boxing-mad nephew of pious clergyman Reverend Sydney Mullet. To mollify his disapproving uncle, Dickie embarks on an elaborate plan to keep his budding boxing career a secret, with he and his tough-talking promoter Wally Burton both pretending to be devout 'men of the cloth'.
The Big Money
5.5/10
Petty thief Willie Frith steals a suitcase full of bank notes, only to find out that they have been given all the same serial number. But this is only the start of his troubles, now he has to find a way of changing the notes, so he can impress the barmaid of his local pub.
Legend of the Werewolf
5.6/10
A travelling circus in 19th century France adopts and showcases a feral "wolf boy", who grows into adulthood only to kill the one-man band. He runs off to Paris, where he develops a jealous, overprotective crush on a prostitute, leading him to attack her client, incurring a pursuit by a determined police surgeon.
A Girl Must Live
6.6/10
A run-away school-girl falls among chorus girls planning to marry into the nobility.
