The best Renato Berta’s movies

Renato Berta

Renato Berta

02/03/1945 (79 años)
If you love cinema, you will share this ranking of the best Renato Berta’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Renato Berta.

Revoir Hiroshima...

Revoir Hiroshima...
  • Genre: Documentary
  • Release: 31/12/2013
  • Character: Interviewee
Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.

Daniel Schmid - Le chat qui pense

Daniel Schmid - Le chat qui pense
7.6/10
  • Genre: Documentary
  • Release: 02/09/2010
  • Character: Self
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.

Marcello Mastroianni: I Remember

Marcello Mastroianni: I Remember
7.8/10
  • Genre: Documentary
  • Release: 10/09/1997
  • Character: Self
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

In Memoriam Daniel Schmid Werner Schroeter

In Memoriam Daniel Schmid Werner Schroeter

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