The best Raquel Nave’s movies
Today we present the best Raquel Nave’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Raquel Nave’s movies.
Welcome to New York
5.6/10
Fiction inspired from the story of the rise and fall of French politician and former head of the International Monetary Fund, Dominique Strauss-Kahn.
Bizarre
4.7/10
Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.
The Past is a Foreign Country
Slow motion imagery of a female face is duplicated and superimposed over itself. One of these image tracks plays in reverse; the sound of a female voice recalling the first time that she saw her lover is played over and over again, overlapping multiple times until it becomes a wall of intense sound; and the music score is an ambient electronic drone that glides along with the visuals and the dialogue. All of these elements come together to create a film that is a meditation on memory.
Raquel Times Ten
Raquel Times Ten features 53 seconds of silent footage with actor Raquel Nave which has been duplicated from one VHS recording to another, and that copied to another VHS cassette, and that to another VHS cassette... in total, this sequence is presented ten times and with each duplication the image and the soundtrack quality deteriorate until Raquel's facial features are a wave of analogue distortion.
