The best Randal Reeder’s thriller movies

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

An Ivy League professor returns home, where his pot-growing twin brother has concocted a plan to take down a local drug lord.

Searching for a happy ending to a tale of unimaginable disaster and horror, nine strangers find themselves holed up together in a farmhouse cellar in rural Texas. The United States has hastily become embroiled in World War 3. A young doctor named Hunter survives the nuclear attack and is thrown together by happenstance with a group of wounded and frightened victims, including Elizabeth, a strong-willed confidant to Hunter, Brad - an antagonistic redneck jackass, and Jennifer, a barely coherent young woman suffering from severe post-traumatic stress. Together, they attempt to endure the devastating holocaust as they struggle with claustrophobia and conflicting personalities. In a makeshift shelter, Hunter and his dying companions wait for news from the government while fending off hunger, radiation sickness, and a horde of frightened and dying refugees

Remake of a 1956 Fritz Lang film in which a novelist's investigation of a dirty district attorney leads to a setup within the courtroom.

Supernatural private eye, Dylan Dog, seeks out the monsters of the Louisiana bayou in his signature red shirt, black jacket and blue jeans.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.

A gritty love story about a charismatic but down-on-his-luck troubadour living out of cheap motels and making bad decisions.