The best Raizō Ichikawa’s history movies

Raizō Ichikawa

Raizō Ichikawa

29/08/1931- 17/07/1969
Today we present the best Raizō Ichikawa’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Raizō Ichikawa’s movies.

The Gambler's Code

The Gambler's Code
6.9/10
  • Genre: DramaHistory
  • Release: 14/06/1961
  • Character: Kutsukake Tokijirô
One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!

The Loyal 47 Ronin

The Loyal 47 Ronin
7.3/10
  • Genre: DramaHistory
  • Release: 01/04/1958
  • Character: Takuminokami Asano
Japan, 1701. A group of samurai become rônin after their lord is forced to commit seppuku for assaulting a court official, who will become the target of a merciless revenge.

Satan's Sword: The Dragon God

Satan's Sword: The Dragon God
6.5/10
The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.

The Great Wall

The Great Wall
6.6/10
  • Genre: DramaHistory
  • Release: 01/11/1962
  • Character: Ching Ko
In 221 BC, Qin Shihuangdi conquered the rest of China. Qin's great accomplishments and also his serious faults are showed in this film. Qin adopted autocratic dictatorship and led a luxurious life: abolition of feudalism and the centralization of power in the form of a now-hereditary bureaucracy loyal to himself; burning books and burying scholars; the construction of a sumptuous palace for his concubines and also the Great Wall.

Destiny's Son

Destiny's Son
7/10
The son of an executioner and the assassin he loved yet murdered learns of his origins, leaving his foster parents to avenge his mother's death.

Tsukigata Hanpeita: Flover Reel; Storm Reel

Tsukigata Hanpeita: Flover Reel; Storm Reel
6.5/10
During the bloody era of the Tokugawa Shogunate collapse, a man appeared capable of overthrowing a corrupt government and ending the feud between the Choshu and Satsuma clans. This is the story of Tsukigat Khanpayit, the sword maker of the Choshu clan, who, along with Katsuro Kogoro and Sakamoto Ryoma, sought to fulfill the dream of a new peaceful era in Japan. Can he realize his ideals or will he die in the chaos of internecine fights...

Shinobi no Mono 4: Siege

Shinobi no Mono 4: Siege
6.7/10
[Period covered: 1614-1615] 4th film in the shinobi no mono series Tokugawa Ieyasu is now the ruler of all Japan. But one last loose thread must be tied up before his domination is complete -- the destruction of the Toyotomi clan, now beseiged in Osaka castle. Ieyasu's ninja are the only ones who can penetrate the fortress, but unfortunately for Ieyasu, Kirigakure Saizo (Ichikawa) and the other Toyotomi ninja can just as easily get out. As armies of samurai maneuver for battle, the fate of the nation will be decided by a desperate struggle in the dark!

The Princess Sen

The Princess Sen
  • Genre: History
  • Release: 20/10/1954
Directed By Keigo Kimura

Seven Miles to Nakayama

Seven Miles to Nakayama
7/10
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.

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