The best Rachael Stirling’s drama movies
If you love cinema, you will share this ranking of the best Rachael Stirling’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Rachael Stirling.
Snow White and the Huntsman
6.1/10
After the Evil Queen marries the King, she performs a violent coup in which the King is murdered and his daughter, Snow White, is taken captive. Almost a decade later, a grown Snow White is still in the clutches of the Queen. In order to obtain immortality, The Evil Queen needs the heart of Snow White. After Snow escapes the castle, the Queen sends the Huntsman to find her in the Dark Forest.
Their Finest
6.8/10
During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England's resilience as a way to buoy a weary populace's spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
Centurion
6.3/10
Britain, A.D. 117. Quintus Dias, the sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' legendary Ninth Legion, under orders to wipe the Picts from the face of the Earth and destroy their leader, Gorlacon.
The Young Victoria
7.2/10
As the only legitimate heir of England's King William, teenage Victoria gets caught up in the political machinations of her own family. Victoria's mother wants her to sign a regency order, while her Belgian uncle schemes to arrange a marriage between the future monarch and Prince Albert, the man who will become the love of her life.
Salmon Fishing in the Yemen
6.8/10
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Churchill's Secret
6.8/10
British Prime Minister Winston Churchill suffers from a stroke in the summer of 1953 that's kept a secret from the rest of the world.
Othello
7.4/10
With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The story is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).
Tipping the Velvet
7.7/10
Set in the 1890s, Tipping the Velvet tells the lesbian love affair between male impersonator music hall star Kitty Butler and Nan Astley.
The Triumph of Love
5.8/10
A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.
The Haunted Airman
4.4/10
An injured RAF pilot, confined to a wheelchair is committed to an eerie hospital where he starts to loose his mind.
Dangerous Parking
6.4/10
Noah Arkwright, a successful, hard living and indulgent independent British film director, finally decides to try and defeat the many addictions that are destroying him, his career and the people who care for him. But Mother Nature has other tests of strength and character in store for him.
Riot at the Rite
7/10
In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
