The best Pyotr Galadzhev’s movies
If you love cinema, you will share this ranking of the best Pyotr Galadzhev’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Pyotr Galadzhev.
By the Law
7.6/10
A five-person team of gold prospectors in the Yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. The two survivors, a husband and wife, subdue the killer but are then faced with an agonizing dilemma. With no chance of turning him over to the authorities for many weeks, they must decide whether to exact justice themselves or to risk trying to keep him restrained until they can return to civilization.
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks
6.5/10
An example of ironic Soviet propagandistic film from the silent era, this film chronicles the adventures of an American, "Mr. West," and his faithful bodyguard and servant Jeddie, as they visit the land of the horrible, evil Bolsheviks. Through various mishaps, Mr. West discovers that the Soviets are actually quite remarkable people, and, by the end of the film, his opinion of them has changed to one of glowing admiration! Written by Mark Toscano
Treasure Island
An adaptation of Robert Louis Stevenson's "Treasure Island" with drastic changes to the plot. A group of English rebels searches for pirate's treasures to buy weapons for the civil war.
Vasha znakomaya
6.6/10
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.
The Great Consoler
6.6/10
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
Doctor Aybolit
5.9/10
A funny comedy about doctor Aybolit and his assistants and patients - all animals.
The Death Ray
6.1/10
In a capitalist country, workers are heavily repressed but manage to get a "death ray" to fight back. (A part of the movie is lost.)
Друзья встречаются вновь
4.4/10
Sasha
7/10
A Russian woman tells the tragic story of her life.
Швейк готовится к бою
6.2/10
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