The best Purnell Pratt’s comedy movies

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Charlie Mason and Rusty Fleming are star reporters on a Chicago tabloid who are romantically involved as well. Although skilled in ferreting out great stories, they often behave in an unprofessional and immature manner. After their shenanigans cause their frustrated city editor to resign, the publisher promotes Charlie to the job, a decision based on the premise that only a slacker would be able crack down on other shirkers and underachievers. His pomposity soon alienates most of his co-workers and causes Rusty to move to New York. Charlie resigns and along with gangster friend Smiles Benson tries to win Rusty back before she marries a stuffy society author.

Young undefeated boxer Terry Dolan, who's been lying to his invalid mother about his career, confides to Maisie that he hates and is terrified by boxing and wants out. Not wanting to let down his best friend and manager Skeets Maguire, who has hopes of him becoming the next champion, he is reluctant to bring up the subject with him. Maisie convinces Terry to tell Skeets, whose unexpected reaction induces him to step into the ring again.

A barber tries to find the winning lottery ticket he hid from his moralistic wife.

When Fred Smith's wife dies in childbirth, Emma Thatcher, who has been nanny to the couple's three children, cares also for the family's new addition. Fred becomes rich and successful, then he and Emma marry. When Fred dies, his will becomes a source of trouble between the children and Emma.

A New York playboy, Wayne Carter, dates wild women until he falls for a hard-working stenographer, Helene Andrews.

An elderly woman provides an alibi to a man she scarcely knows who is on trial for murder of his girlfriend's racketeer father.

The rebellious daughter of an army general gets involved with a Communist agitator, mainly to annoy her father. He arranges to have her kidnapped and taken to Mexico--hoping that she will forget her "Red" boyfriend--by a young, handsome soldier named Jeff who, while somewhat of a goof-up, the general believes is still better for her.

Con men Calvin Churchill and Clip McGurk know how to fix a horse-race or boxing match. Calvin wants to go straight and win back his estranged wife, but first the men must dodge a dogged IRS agent and bilk a bunch of aviation investors out of the backing boodle for a balloon excursion into the stratosphere.

Peyton Wells (Ben Lyon) rescues Judy Jones (Joan Marsh) from a very dull young man, at a sedate party given for her by her multi-millionaire grandfather Silas P. Jones (Purnell Pratt.) Judy refuses to accompany Peyton on a slumming trip to a cheap dance hall, and Peyton dances with several of the dowagers and tells them that Silas is practically dying of scarlet fever. The guests hastily depart and Joan joins Peyton at the Dreamland Dance Hall. She is mistaken by Jimmy Cassidy (Edward J. Nugent) as one of the hostesses and decides to dance with him as a lark. One thing follows another and Judy gets disinherited and takes a job at the dance hall through Jimmy and his friend Mabel(Isabel Jewell.) Jimmy confides to Judy his ambition to become a dance instructor over the radio and Judy decides to help him but can't get the needed financial backing. She gets Peyton to front the money, promising him she will reconsider his offer of marriage if Jimmy's plan fails.

Bored rich girl hooks up with news photographer, gets caught up in his adventures.

Aided by musicians at the Grand Ole Opry, a small-town mayor in the Ozarks takes on a group of crooked politicians.

Previously filmed in 1930 as True to the Navy, Kenyon Nicholson's old stage farce Sailor Beware returned to the screen in 1936 as Lady Be Careful. The plot remains substantially the same, as an amorous sailor named Dynamite (Lew Ayres) bets his pals that he can "thaw" icy beauty-contest winner Billie (Mary Carlisle). What follows is a series of misunderstandings, arguments and reconciliations, all wrapped up in a happy-ever-after conclusion.

Two rich and wealthy millionaires who have a lot of money bet that reporter Robert Pryor can't spend $720,000 in twelve hours. If you're asking "Why $720,000?", the answer is: because this Republic programmer is titled $1000 a Minute . Anyway, a couple of cops spot Pryor flashing a roll of bills, and deduce that he's the bank robber they're looking for. For the rest of the film, Pryor must race around to spend his money, while remaining two steps ahead of the Law. The supporting actors in $1000 a Minute are delightfully cast to type, from Edgar Kennedy as a detective to Sterling Holloway as a helpful cabbie.

A campus flirt who has been "pinned" by most of the boys of Sigma Chi fraternity falls for a no-nonsense athlete who doesn't have time for such diversions as women.