The best Pirkka-Pekka Petelius’s drama movies
Today we present the best Pirkka-Pekka Petelius’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Pirkka-Pekka Petelius’s movies.
Unknown Soldier
7.7/10
The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna's best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel's uncensored version, Sotaromaani (A War Novel).
Hamlet Goes Business
6.9/10
A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'.
The Unknown Soldier
7.4/10
Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).
The Castle
6.5/10
Based on Franz Kafka's famous novel, director Jaakko Pakkasvirta created this interpretation of the woebegone Josef K., who is trapped in an ever-increasing labyrinth of double talk and bureaucratic nonsense in his efforts to reach the castle. As Josef seeks to make an appointment to see the ruler Herr Klamm inside his inaccessible abode, he becomes enmeshed in abuse from lowly villagers and bureaucrats alike. His endless false starts toward the castle's enigmatic interior are partly offset by a few sexual encounters but nothing alleviates his role as a victim of forces beyond his control.
The Midwife
6/10
Helena has worked as a kind of midwife on the eve of the Lapland War. She wants to leave everything behind, and a suitable opportunity arises when she falls in love with a German-Finnish officer Johannes, who is leaving to German-led Titovka prison camp in the Soviet Union. Helena enlists into the camp as a nurse, where she experiences the brutality of war.
Once Upon a Time in the North
6.1/10
19th century drama set on the plains of Ostrobothnia, western Finland, which are controlled by groups of knife-wielding thugs, the toughs. Traditionally, the first-born son inherits everything, so when Esko – a bum and a gang leader – learns that his father will leave the Välitalo estate to his younger and exemplary brother, all hell breaks loose.
8-Ball
6.3/10
8-Ball tells the story of single mother Pike who, having just been released from prison, is trying to start her life anew. When her former boyfriend Lalli comes back from abroad, it opens a window into a past that Pike wants to put behind her.
Hella W
5.2/10
The life of a heroine. The life and work of Hella Wuolijoki. A poet, spy and millionaire, she turned into an internationally acclaimed businesswoman, politician and playwright, who collaborated with Europe's leading writers such as Bertolt Brecht and Maxim Gorky, but faced the harshness of a changing world as the Finnish, Soviet and British secret services focus on her life, family and work.
Princess
6.2/10
Princess tells the true story of former cabaret dancer Anna Lappalainen's redemptive struggle with insanity, who checked in to Finland's Kellokoski Psychiatric Hospital in 1945.
Love Records
5.7/10
The rise and fall of Love Records record label in 1960s and 1970s Finland.
The Classic
6.9/10
A self-loving fictional autobiography of author Kari Hotakainen.
Honeybunnies
4.5/10
A private detective engages in a sexually-charged relationship with a real estate broker.
The King Without a Heart
5.6/10
The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.
Lahja
6.3/10
A middle-aged woman wants a child and starts to look for a suitable father when she doesn't succeed in the plan with her husband.
Anita
5.4/10
Crime caper involving two con artists who team up to pull off a super scam. Complications arise when the female member of the team falls in love with the male partner, who is mainly interested in the money.
The Manila Rope
6.8/10
Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
Lyrics and Lace
5.1/10
Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.
Blindfolded
6.8/10
Two 9-year-old boys, Jontti and Länki, grow up in a Finnish seaside town in the 1960s. Länki's biggest dream is to run away on a ship to the sea where his father is rumoured to have died. Jontti too must discover that his father is not what he appears to be. When his dad moves away with another woman, Jontti is determined to win him back.
Kites Over Helsinki
5.9/10
Epic tale about two generations of men in a wealthy Finnish family, spanning from the 1960s all the way through the early 1990s. The father has achieved his position as director of the family business through marrying the heiress. Their eldest son Dani, hoped to succeed his father, succumbs to drugs while pursuing a career in rock music. Younger Riku grows up under the shadow of his more talented big brother and slowly drifts into the late 1980s, noticing then how many of his friends have managed to take advantage of the economic upswing.
Gold Fever in Lapland
5.9/10
