The best Pierre Brice’s action movies

Pierre Brice

Pierre Brice

06/02/1929- 06/06/2015
Today we present the best Pierre Brice’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Pierre Brice’s movies.

Shots in 3/4 Time

Shots in 3/4 Time
5.1/10
  • Genre: Action
  • Release: 08/04/1965
  • Character: Philippe Tissot
B 501, a newly developed controller for missiles, has disappeared despite the strict surveillance. Phillippe Tissout is sent by his boss to Paris to take over the case.

Invasion 1700

Invasion 1700
5.3/10
Set in 18th-century Eastern Europe, the film concerns the star-crossed romance between a Polish military officer and a gorgeous Slavic princess. The princess' vengeful lover cuts a path of death and destruction throughout the land.

Samson and the Slave Queen

Samson and the Slave Queen
4.9/10
The king of Nogara dies, leaving behind a will naming one of his nieces as his successor. Will it be blonde and virtuous Isabella or evil, dark-haired Malva? Each woman relies on a hero to locate the will. Malva hires the bare-chested strongman Samson while Isabella relies on the masked El Toro (a.k.a. Zorro) even though her heart belongs to the mild-mannered poet, Ramon. Malva's ruthless desire for the throne soon alienates Samson and he and El Toro then team up to bring about a proper resolution to the Nogara succession. Meanwhile, Isabella learns El Toto's true identity, an identity which both surprises and pleases her.

Ça va barder

Ça va barder
5.8/10
"Give 'em Hell" - During the 1950s, in Portuguese Mozambique, small-time American hustler, ex-soldier, ex-boxer and adventurer Johnny Jordan is looking for a new gig. His opportunity comes in the form of a local shipping tycoon and importer Moreno who offers Johnny a job after Johnny saves Moreno from an armed mugger on the waterfront.

Where Are You Taking That Woman

Where Are You Taking That Woman
4.7/10
A lady killer tracked by the police, takes refuge at a psychiatrist's home, and the doctor tells him three stories, to convince him that crime does not pay

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