The best Pierre-Alain Chapuis’s movies
Today we present the best Pierre-Alain Chapuis’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Pierre-Alain Chapuis’s movies.
150 Milligrams
6.6/10
In the hospital where she works in Brest, France, a lung specialist discovers a direct link between suspicious deaths and state-approved medicine. She fights single-handedly for the truth to come out.
Violette
6.9/10
Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.
Les mamies
3.9/10
When 12 year old Alex runs away, his grandmother ask her 6 friends for help and follow the kid from Paris to Lisbon.
Waiting for the Moon
6.3/10
Fictionalized portrait of one of history's great literary couples: Stein & Toklas. Summer 1930s France, Alice tends to ailing Gertrude; they visit Fernande Olivier, Guillaume Apollinaire, others; and Hemingway pops in.
Nuit noire, 17 octobre 1961
7.4/10
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
C'est pas de l'amour
6.1/10
Je vous ai compris : De Gaulle, 1958-1962
7.2/10
