The best Philippe Saïd’s movies
Today we present the best Philippe Saïd’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Philippe Saïd’s movies.
Eiffel
6.2/10
The government is asking Eiffel to design something spectacular for the 1889 Paris World Fair, but Eiffel simply wants to design the subway. Suddenly, everything changes when Eiffel crosses paths with a mysterious woman from his past.
Holy Lola
6.5/10
The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.
Safe Conduct
6.9/10
The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn't have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche's scriptwriting doesn't help how he lives and he is a womanizer which causes him to procrastinate.
Charlotte Corday
6.9/10
Set in July 1793 during the outbreak of the French Revolution and the unleashing of the Reign of Terror, a young girl from Caen named Charlotte Corday plots to assassinate Jacobin newspaper editor Jean-Paul Marat.
Les Damnés de la Commune
7.1/10
My Father Saved My Life
6.8/10
Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.
Sunfish
5.1/10
A Mediterranean scrubland. The relentless noise of crickets. In the distance a highway and the procession of lorries travelling through the countryside at top speed. Among the green oaks and thorn bushes the construction of a leisure Centre is nearing completion. On the other side, from the building workers' prefabs can be heard the happy chaos of children shouting, families getting together and Ramadan celebrations. Moving incessantly between the two, are Fabienne, daughter of the manageress of the Centre, and Latifa, daughter of one of the workers. Fabienne and Latifa are friends, they tell each other everything, or almost... When you are 16 there are secrets that you don't share, even with your best friend. Then, there are questions which one would love to be able to answer and mysteries one would love to understand... The Centre's opening day approaches. It is the day of Fabienne's 16th birthday. But why do her mother Anne and her uncle Tom seem to be so fearful of that day?
Le Pain du diable
