The best Peter Vaughan’s crime movies
We present our ranking of the best Peter Vaughan’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Peter Vaughan.
Les Misérables
7.4/10
Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
Straw Dogs
7.4/10
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
11 Harrowhouse
6.2/10
A small time diamond merchant jumps at the chance to supervise the purchase and cutting of a large first class diamond. But when the diamond is stolen from him, he is blackmailed into pulling off a major heist at the Diamond Exchange, located at 11 Harrowhouse.
Porridge
7.2/10
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what's more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it.
Face
6.6/10
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
Sapphire
7.2/10
Two Scotland Yard detectives (Nigel Patrick and Michael Craig) investigate the murder of a young woman of mixed race who had been passing for white. As they interview a spate of suspects -- including the girl's white boyfriend and his disapproving parents -- the investigators wade through a stubbornly entrenched sludge of racism and bigotry. Director Basil Dearden won a British Academy Award for his deft, sensitive hand at the helm.
Kiss Kiss (Bang Bang)
6.2/10
A hit man who wants out of the business is targeted by old colleagues.
The 39 Steps
6.5/10
Remake of the original Alfred Hitchcock movie with a more light-hearted tone and Kenneth More as the lead character.
Thursday the 12th
5.7/10
In this two-part Rashomon-esque mini-series, a TV journalist investigates a rich politician and his family after a dead body is found on their property and they all have different story about the day of the incident.
The Moonstone
6.6/10
Greg Wise (Sense and Sensibility) and Keeley Hawes (Karaoke) star in this sumptuous adaptation of Wilkie Collins' classic mystery, the first detective novel ever written. The Moonstone, a sacred Hindu diamond was stolen from the head of the Moon God, in its shrine by John Herncastle in 1799. The stone is said to be cursed if it is removed from the shrine. In 1848, a man named Franklin Blake announces to Rachel that the Moonstone has been bequeathed to her by Herncastle. Blake gives her the jewel on her birthday and offers to mount the jewel for her, in order that she might wear it. Inevitably, the jewel is found missing the next morning and Rachel believes Blake stole it. Determined to prove his innocence, Blake leaves in order to pursue the real truth behind the theft.
Smokescreen
6.9/10
A fastidious insurance assessor investigates a potential case of insurance fraud.
Rotten to the Core
5.7/10
Rogues Jelly Knight, Scapa Flood, and Lennie the Dip leave prison expecting boss The Duke to have their stash ready to share out. Instead, Duke's girl Sara gives them the news Duke is dead and the money gone on nursing care. They soon discover that Duke is actually running Hope Springs Nature Clinic with the help of most of the local villains. Very strange - and the nearby army camp and Sara's encouragement of Lieutenant Vine would seem to be no coincidence either. Written by Jeremy Perkins
