The best Petar Slabakov’s movies

In a small village in West Prussia in the 1870s, Germans, Poles, Gypsies and Jews live together as neighbors. One night Johann, a German mill-owner, secretly opens the dam gates and floods the mill of his Jewish rival Levin. After his business is ruined and his calls for justice go unanswered, Levin leaves town.

The horrors of war seen through the eyes of a sensitive twelve-year-old girl who loses everyone she loves.

He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.

Apostol, an architect on this side of forty, meets by chance Bella at a swimming pool on the night of her graduation party.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. The second part of the great historical epic - "The Migration" - tells about the long journey to the land of the Bulgarians of today's Bulgaria. Here the young Khan Asparukh laid the foundations of the new state. The authors adhere to the established historical versions for this event. The film builds on the impressive mass scenes and the convincing served psychological characteristics of the main characters. The image of Asparoukh is a natural center of the story, in which many minor persons recreate the environment of the Khan. Romantic exalted, Asparukh is shown as capable leader of the people, consistently implement his own ideas.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. This is the first part of the film trilogy about the events before the creation of the Bulgarian state in the middle of the VII century. Volga Bulgaria is straining under the attacks of the Khazars. Following the testament of his father, the sons of Khan Kubrat looking for a new home for their tribes. The youngest of them - Asparukh, wander 20 years in search of "land forever" for his people and reaches the mouth of the Danube. The film is narrated by captured Byzantine chronicler Belisarius, which should Asparukh in his journeys. Byzantine witnessed the heroic efforts of the Bulgarians to win the land south of the Danube and to create their new country.

In 651, Khan Kubrat died and the Khazars accelerated their raids upon Great Bulgaria. His five sons split the Bulgarian tribe and each led his to find new land where they could live in peace. Khan Asparukh, the youngest son, went west and, after an arduous journey lasting for years, southward across the River Danube, into Moesia. In 680-81, in alliance with the Slavs, he inflicted stunning defeats on the Roman legions and forced the Byzantine Empire to recognize the formation of the new state of Bulgaria in the lands where it still exists today.

A bandit chief falls in love with a wealthy man's daughter.

Gallows is being raised in a prison yard. A moment before the execution the Girl brings a document of the young communist's temporary pardon. The chief of the prison, the Major, has a mandolin collection. He offers a fistfight to the young communist. The young man hits him. The Major and the young communist start playing the mandolins together. Girl is allowed to meet the young communist. The boy begins to play. The melody brings to the Major pleasant memories. He fought in the Spanish civil war, but after the defeat, he turned back on his beliefs. The Major receives a telegram that he needs to send the young communist to another prison. Death awaits him there. In is rage the Major breaks the mandolins. He orders the young communist to be taken out to work. The young man runs off. The Major shoots him himself.

There is a dragon, which threatens the life of the shacked village. The attempts of lumberjacks, shepherds and hunters to get rid of the menace are without success. Their battle with the imaginary mythical monster makes them realize that their real enemies are the master Kolota and his servants. The dragon is beaten not physically but spiritually.

Bizarre events happen in an isolated village.

In a small provincial town, an young local artist exhibits his works. One of the paintings, depicting a fairy dance of naked women, provoke the people which discover similarities with a certain lady from the neighbourhood.

Major Hariev, a State Security officer, manages to learn that the spying center codenamed Citadel receives encoded letters. Sometime later, the Bulgarian agent in the West reports that the spy h as a subscription to the French woman's magazine. The State Security men find a beautician, who received the magazine and delivers it to Ivan Bolyarski, director of an important state department. Hariev follows Bolyarski to his meeting with the Hawk, his associate working in a military unit. The Hawk agrees to deliver the request information for an exorbitant sum of money. Hariev runs into the Hawk and kills him in the fight. Bolyarski is arrested. Major Hariev is planted in his cell. In a moment of demoralization, the agent discloses the secrets of the Citadel to Hariev. Hariev has to go to the Citadel, passing off as the Hawk. He takes a leap in the dark and does not know if he will ever come back to his wife and his child.

A Bulgarian spy movie

The title of the film is taken from the popular Bulgarian song. This is a film about the life of a common Bulgarian worker. The action focuses on his family, his relatives, and his friends.

There are essentially two types of people: those who think with their stomachs, and those who think with their hearts.

In this routine World War II drama by Bulgarian director Doutcho Mundrov, a group of doomed POWs work together to keep their own dignity and ethical standards high. As the prisoners interact against a background of strife, imprisonment, and references to a rising Communist presence, they come to discover that there is an outside informer passing on information to the enemy. Although they face impending execution, they decide to take steps to end the informer's career.