The best Pepa López’s drama movies

Lola is a young woman who works in a factory. She lives a violent and tormented love with Mario. To get away from him, Lola moved to Barcelona. There he met Robert, CEO of a major company, with whom she starts a relationship.

Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

In the early 70s, a rather backwards young soldier with serious family problems finds himself stationed in a small village in Spain's Levante. Secretly in love with a young village girl, Pere slips into her room one night. When he is discovered, the soldier reacts with spontaneous violence, creating an embarrassing problem for the military that the brass decide to handle--expeditiously-- as "an internal affair."

Barcelona, 2002. A coffin is carried to the cemetery of Montjuïc in a chariot drawn by horses. The lifeless is Pep Grau, an old fisherman found drowned and subject to his boat by a complicated knot sailor. The Pep voiceover Grau, portrayed with affection and humor the curious characters he met in life, recounts the difficult moments of his childhood during the Civil War, and finally, we are introduced to Lola, the woman of his life , which has a fish stall in the Boqueria Market beautiful and, after the death of Pep, begins receiving anonymous gifts. Silvia, a teenage ambitious and attractive, is the attorney for the insurance company. Mario, her boss and lover, asked to investigate the strange circumstances surrounding the death of the fisherman. Silvia's inquiries aa allow us to know other characters, like the maverick Dr. Cipriano Mera, Pep old comrade, and his son Gabino Mera.

A young officer of the Guardia Civil moves to a ski resort in the Pyrenees traveling on official business. On the way his car has a breakdown and he is picked up by a woman who is staying at the hotel. From this situation several adventures and tangles happen. Things get complicated as he must dress as a woman to avoid being surprised.

A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?