The best Peggy Ryan’s music movies

During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

Students at the Davis School of the Theatre are assigned "Antigone" as their class play, but they conspire to do a swing musical instead.

The film tells the story of army recruits following basic training, with the Andrew Sisters attending USO dances. The film is a mixture of comedy and songs.

18-year-old Angela, reared in a New England town by her Aunt Betsy, receives an inheritance which she uses to go to New York, ostensibly for voice training, but she is pursuing Major Hilary Jarret, an Army surgeon with whom she has become infatuated. Her departure depresses her childhood friend Jimmy Plum. Dr. Plum devises an errand on which to send his love-sick son to New York, where Jimmy discovers Angela thinks she is Jarret's fiancée. Jimmy also renews acquaintances with a group of show people, including Sally McGuire, who attempts to console him. Jimmy meets Jarret's divorced wife, Harriet, famed photographer. Jimmy engineers a meeting of Jarret and Harriet with Angela present, which forms the beginning of an understanding that Jarret is not for her. Jimmy is inducted into the Army.

In this musical set in swingin' Manhattan, an heiress plans a ballet in the famous Moonbeam ballroom located atop a 100-story skyscraper. Unfortunately, the attending audience is quite bored until someone starts the place swinging. Musical numbers include: "Blame It on the Rhumba," "Where Are You?" "Jamboree," "Top of the Town," "I Feel That Foolish Feeling Coming On," "There's No Two Ways About It," "Fireman Save My Child"

In this WW II musical, a young man suddenly finds himself in charge of his family when his father is called to war. To help the flagging spirits of local factory workers, the plucky lad, his siblings and his schoolmates put on a lively little show. With a little work, he even convinces Count Basie to come with his band.

The Merry Monahans is one of the higher-budgeted Universal musicals of the 1940s, even though the storyline is strictly grade-B material. During the first two decades of the 20th century the film concerns a family vaudeville troupe headed by patriarch Pete Monahan (Jack Oakie). Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy (Donald O'Connor) and Patsy (Peggy Ryan) love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale. Producer-scripters Michael Fessier and Ernest Pagano, whose other works include such offbeat comedies as San Diego I Love You, Frontier Gal and That's the Spirit, manage to keep the proceedings relatively cliché-free, though it's an uphill climb.

Radio's miracle show is on the screen.

A famous stage actor hopes to land the lead role in a big new Broadway musical, but he's unaware his teenage son has already been given the part.

Orphan prodigy singer runs away from her oppressive aunt and tricks a rural couple into adopting her.

J. P. Courtney wants to update the music on the radio program he sponsors, but his wife, Agatha Courtney, is the final authority and addicted to the classics and won't allow him to replace Professor Bistell and his symphonic orchestra. Conspiring with his daughter Sue and her friends, Marvo the Great, the Andrews Sisters, Anne Payne and bandleader Woody Herman, they devise a sabotage plot that gets rid of Professor Bistell, and a new sound is soon heard on the program.

The president of a settlement-house group puts on a benefit variety show.

By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.

The son of a strict Navy officer falls for the daughter of a musical-comedy star.