The best Peggy Ashcroft’s movies
Today we present the best Peggy Ashcroft’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Peggy Ashcroft’s movies.
The Nun's Story
7.5/10
After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.
The 39 Steps
7.6/10
Richard Hanney has a rude awakening when a glamorous female spy falls into his bed -- with a knife in her back. Having a bit of trouble explaining it all to Scotland Yard, he heads for the hills of Scotland to try to clear his name by locating the spy ring known as "The 39 Steps."
A Passage to India
7.3/10
Set during the period of growing influence of the Indian independence movement in the British Raj, the story begins with the arrival in India of a British woman, Miss Adela Quested, who is joining her fiancé, a city magistrate named Ronny Heaslop. She and Ronny's mother, Mrs. Moore, befriend an Indian doctor, Aziz H. Ahmed.
Sunday Bloody Sunday
7/10
Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he's also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.
Secret Ceremony
6.2/10
A penniless woman meets a strange girl who insists she is her long-lost mother, and becomes enmeshed in a web of deception, and perhaps madness, in this powerful psychological thriller.
When the Wind Blows
7.7/10
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II.
The Wars of the Roses
8.9/10
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
Madame Sousatzka
6.6/10
In London, eccentric piano instructor Madame Sousatzka takes on a new prize protégé, Manek, a teenage Bengali immigrant who displays incredible talent. Manek forms a close bond with his teacher, but soon discovers that she expects her pupils to become disciplined in all areas of life, and not just behind the piano
Little Eyolf
7.2/10
Alfred Allmers has spent his whole life writing a book on "responsibility," a luxury he can afford as a result of his marriage to the wealthy and beautiful Rita. However, much to Rita's annoyance, his attention isn't always undivided toward her, as Alfred shifts his focus between his book, their son Eyolf, and his half-sister Asta. As Allmers slowly feels trapped in an unfulfilling marriage, emotions and a painful past threaten to boil over into a terrible finale.
Quiet Wedding
6.6/10
A young couple become engaged, but enjoy a number of comedic aventures before their wedding day.
Tell Me Lies
6.9/10
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Edward & Mrs. Simpson
7.5/10
While still the Prince of Wales, the future Edward VIII meets the married American socialite, Wallis Simpson. Their relationship causes furor in the palace and in parliament, especially when King George V dies, Mrs. Simpson gets divorced, and King Edward announces his intentions to marry her.
The Pedestrian
6.6/10
This film is about a man who committed a terrible crime during war and is now old and somehow sorry for what he did. The story about the preparations for his trial are described from different points of view, also from his.
Terminus
7.2/10
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station.
The Cherry Orchard
7.1/10
Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.
The Wandering Jew
6.5/10
This story is based both on a long-standing legend and a play by E. Temple Thurston. Veteran British director Maurice Elvey brought years of experience with theatrical adaptations to the difficult task of filming a movie that spans centuries and strains credulity. Conrad Veidt stars as the Jew who urges Roman authorities to crucify Jesus and release Barabbas. As a punishment, he is condemned by God to wander the Earth for many centuries, enduring innumerable trials and tribulations on several continents.
She's Been Away
7.4/10
A woman who has been institutionalized for 60 years for the "crime" of not conforming to the 1920s image of what a proper young woman should be (in other words, she did what she wanted and didn't care what anyone else thought about it) is finally released to the custody of her family, consisting of her grand-nephew and his family. At first she keeps a self-imposed distance from the relatives, but she soon finds herself coming around to her nephew's wife, a free spirit who is under the thumb of her cold and controlling husband
Cream in My Coffee
7.3/10
Past and present intertwine: An elderly couple returns to the hotel where they became close when they were young and flashbacks to the earlier visit reveal the origins of both their pleasures and problems. Somewhere between the past and the present, Dennis Potter attempted to find "the shape of a life, of two lives..."
Murder by the Book
7/10
Agatha Christie’s agents propose that it’s time for her to publish the manuscript she wrote thirty-five years earlier, a novel in which she finally kills off her most famous creation. And it’s not an entirely sad occasion. “That wretched little man,” she says. “He’s always been so much trouble. How is it Miss Marple has never upset me at all, not ever?” That night, who should appear at her doorstep but the wretched little man himself, Hercule Poirot? The great fictional detective and his creator proceed to play a very Christie-like game of cat and mouse for the manuscript – and for their own lives.
Hullabaloo Over Georgie and Bonnie's Pictures
6/10
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.
