The best Paulo Filipe Monteiro’s movies
If you love cinema, you will share this ranking of the best Paulo Filipe Monteiro’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Paulo Filipe Monteiro.
The Maias: Story of a Portuguese Family
6.3/10
The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.
Corruption
3.5/10
A crime drama based on the life of a woman who lived for years with a man that was the head of a corruption network in the Portuguese football world.
Palace
6.3/10
While the three heir sons of a hotel owner want to bring their establishment back to the glamour of former times, a Department of Health official tries to find the way of closing it permanently.
Until Tomorrow, Comrades
8.1/10
Portugal, 1944. In a country oppressed by a brutal dictatorship, there are those who resist and mobilize the people to fight for bread and freedom, even if it cost them prison, torture or their lives.
The Year of the Death of Ricardo Reis
6.1/10
Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
Antártida
5.9/10
A rock star falls in love with a common pickpocket without any personal history. But soon she finds herself in a contraband of drugs and both try to escape it.
Disquiet
6.3/10
Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.
Fin de curso
4.2/10
There are two months to the end of High School Spanish classes in Lisbon and it's time to decide the destination for the end of year trip. That decision will cause a real "Civil War" between two irreconcilable groups: the "class nerd", who propose the typical cultural trip to Paris, and "freeloaders" who prefer to enjoy the week in Benidorm, the "New York's Costa Blanca ".
True and Tender is the North
6.1/10
Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.
Les femmes et les enfants d'abord
The King's Trial
6.6/10
At the time Portugal presented a strange spectacle to the rest of Europe. D. Afonso VI, son of the fortunate D. João de Bragança, was in possession of the throne and was an insane imbecile. His wife, daughter of the Duke of Nemours and cousin of Louis XIV, dared hatch a plot to oust her husband from the throne. The king's stupidity justified the queen's bravado. Despite being master of unusual strength and having slept with his wife for a long time, she accused him of being impotent. Marie Françoise had acquired through artfulness what Afonso had lost in anger in the kingdom. She had him imprisoned ( November 1667 ) and quickly obtained a papal bull from Rome to confirm her virginity and bless her marriage to her brother-in-law Pedro. Portugal's submission for the Academy Award for Best Foreign Language Film in 1990.
