The best Pauline Carton’s movies
Today we present the best Pauline Carton’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Pauline Carton’s movies.
The Longest Day
7.7/10
The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
Napoleon
6.1/10
The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.
The Blood of a Poet
7.3/10
Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios. This film is the first part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
Royal Affairs in Versailles
6.8/10
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
Forty Little Mothers
6.2/10
After finding and adopting a child, a man gets a job at an all-girls school which doesn't allow families. Once the girls find the baby, they become his forty little mothers. At the same time, the child's true mother searches for him.
The Story of a Cheat
7.6/10
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...
Quadrille
6.8/10
The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend Claudine, a realistic and enterprising reporter, that he's thinking of proposing. Into the mix steps Carl Erickson, a charming Hollywood matinée idol in Paris briefly. He meets Paulette, sees her act (his box seat compliments of Philippe), and sets out to seduce her. The next two days bring talk, tears, separation, despair, surprises, and, perhaps, reconciliation as characters speak "exactly half the truth." It's a quadrille of changing partners.
Poison
7.4/10
Paul Braconnier and his wife Blandine only have one thing in mind: to find a way to kill each other without risk. After listening to a radio show, Paul decides to go to Paris to meet a famous lawyer in the acquittal of the murderers. He tells the lawyer that he killed his wife. The lawyer asks Paul to reconstruct the circumstances of the drama. Without knowing it, he explains, in spite of himself, the way for Paul to murder his wife by putting the odds on his side to avoid death penalty or even be released...
If Paris Were Told to Us
6.3/10
Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.
Let’s Go Up the Champs-Élysées
6.6/10
The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.
Bonne chance
6.8/10
A girl, Marie, who got engaged to a boy who is leaving for military training (thirteen days) wins two million on the raffle, thanks to an older man, Claude, whom she calls her good luck …
The Late Mathias Pascal
7/10
Mathias Pascal, only son of a once-rich family, marries beautiful Romalinda, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare. His only moments of lights are his mother and baby, but both die on the same day. Shocked, he leaves his hometown and goes to Monte Carlo, where he wins a fortune at the casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he is now free from all ties to his old life, decides to start a new one.
There's No Tomorrow
7.3/10
The story of a once-respectable woman who re-encounters her first love, now a successful doctor. Reduced to nude-dancing in a sleazy dive, with a son to support, Evelyne (Edwige Feuillère) borrows money at an outrageous interest rate in order to create a facade of respectability--and, it goes without saying, Georges falls in love with her all over again. But how can Evelyne maintain her bourgeois value and save son and "father" from the consequences of her fall?
The Pearls of the Crown
6.9/10
The story of the seven pearls of the English Crown, from Henry VIII to 1937; three of them missing.
Courrier Sud
6.8/10
L'ombre
Conflit
6.5/10
Claire Buisson becomes enamored with Gerard and soon afterwords she becomes pregnant. Gerard advises her to abort the child but, at the last moment, Claire decides to keep her child and leaves for her sister's place in the province.
Louise
6.6/10
What was it about opera diva Grace Moore that attracted the attention of filmdom's top directors? Moore's 1937 American movie vehicle When You're in Love had been directed by Josef Von Sternberg; two years later, her French starrer Louise was helmed by no less than Abel Gance, who a decade earlier had revolutionized the "historical epic" genre with the awesome Napoleon. There was, however, little that was revolutionary in this cinemadaption of Gustave Charpentier's opera. Moore plays Louise, a poor seamstress who is led astray by the rakish Julien (Georges Thill). After falling from grace (no pun intended), our heroine is rescued by her understanding father (Andre Pernet), who demonstrates his forgiveness by singing to her (it is, after all, an opera). Though it played to enthusiastic crowds in both London and Paris, Louise turned out to be Grace Moore's final film; conversely, Abel Gance continued to make commercial potboilers well into the 1970s.
High and Low
6.8/10
Black Humor
5.3/10
