The best Paule Baillargeon’s movies
Today we present the best Paule Baillargeon’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Paule Baillargeon’s movies.
August 32nd on Earth
6.5/10
After escaping unscathed from a car accident, photo model Simone decides that having a baby is the only way to give her vacant life some meaning. She asks her best friend Philippe to get her pregnant, and he reluctantly agrees, on the condition that they conceive somewhere in a desert, so they leave Montréal on a 24-hour round-trip to Salt Lake City to find a suitable spot.
Jesus of Montreal
7.5/10
A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.
Days of Darkness
6.8/10
Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?
Montreal Stories
6.1/10
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
Gina
6.4/10
A beautiful stripper hires renowned criminals to exact revenge on those who raped her in her motel room.
I've Heard the Mermaids Singing
6.7/10
Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.
Les Voisins
7.6/10
Three couples meet at one of them for a slide show evening. But nobody takes pleasure in this evening, where triumphs the banality of the exchanges: it is a socialization forced by the bonds of the neighborhood, devoid of empathy or sincerity.
Les vautours
7.4/10
Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.
Filming Desire: A Journey Through Women’s Cinema
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
A Family Secret
6.5/10
A woman learns secrets about her family while attending the funeral of her father.
Montréal blues
5.9/10
A group of youths open an organic restaurant.
Sonia
A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.
Et du fils
5.4/10
Set on an ice-encircled island in the St. Lawrence, this is a drama of passion and violence. An old man, attached to his ancestral home and traditions, is confronted by his son, an immature young man who has no time for these values. The outcome is tragic as the father refuses to let his home fall into the hands of outsiders.
La piastre
Robert decides to drop everything and go back to his homeland, accompanied by his daughter and a couple of friends.
Panique
5.8/10
Industrial pollution causes water poisoning and generalized sickness in a nearby city and is the start of a major news scandal.
Four Stiffs and a Trombone
6.2/10
An actor works as night watchman at a film studio where a musical serial killer strikes.
Lessons on Life
6.5/10
A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.
The Late Blossom
6.6/10
30-year-old Quebec City native Gisèle (Rita Lafontaine) lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.
Trente tableaux
6.2/10
Trente tableaux is a 2011 autobiographical feature documentary by Quebec film director Paule Baillargeon, made during her two-year film residency with the National Film Board of Canada. It is an anthology film composed of 30 short portraits—or tableau vivant—of her 66 years of life to date, reflecting her experiences as a woman in Quebec's changing society.
La Femme de l'hôtel
5.8/10
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.
