The best Paul Schrader’s movies on Apple iTunes

Paul Schrader

Paul Schrader

22/07/1946 (77 años)
Today we present the best Paul Schrader’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Paul Schrader’s movies.

Dog Eat Dog

Dog Eat Dog
4.8/10
Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.

Hitchcock/Truffaut

Hitchcock/Truffaut
7.3/10
  • Genre: Documentary
  • Release: 04/09/2015
  • Character: Himself
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Milius

Milius
7.4/10
  • Genre: Documentary
  • Release: 09/03/2013
  • Character: Himself
The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.

Clapboard Jungle

Clapboard Jungle
6.5/10
Following five years in the life and career of independent filmmaker Justin McConnell, this documentary explores the struggles of financing, attracting the right talent, working with practical effects and selling the finished product in the hope of turning a profit. Featuring interviews with a range of industry luminaries, not only are technical aspects and interpersonal skills discussed but also the emotional stamina and little-known tips needed to survive in the low budget film industry.

Richard Pryor: Omit the Logic

Richard Pryor: Omit the Logic
7.3/10
  • Genre: Documentary
  • Release: 23/04/2013
  • Character: Self
Mike Epps, Richard Pryor Jr. and others recount the culture-defining influence of Richard Pryor - one of America's most brilliant, iconic comic minds.

What She Said: The Art of Pauline Kael

What She Said: The Art of Pauline Kael
6.8/10
  • Genre: Documentary
  • Release: 22/03/2019
  • Character: Himself
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

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