The best Paul Savoie’s movies

Florent Boissonneault and his young wife Elise always had one dream: own a restaurant. When they meet a strange old man, Egon Ratablavasky, their dream become reality, but only to quick turn into a nightmare when they sadly discover they had been tricked by him, and lost everything. But their dream is not dead, and a strong desire of avenging soon bring them back in business, with the help of an homeless kid, a french cook and a friendly journalist. But the old man still had trick on for them his bag...

When gambling addict Michele moves in with her childhood friend Janine, their teenaged daughter’s burgeoning friendship produces both humorous and heartbreaking results.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.

Hubert Wolfe, bestselling author, suffers from the writer's block for a long time. Thus, he often used a ghost writer, the talented but taciturn Dany. While the deadline for his next novel approaches, Wolfe still requires the help of his secret accomplice. But Dany is going through difficult times and finds himself before a blank page. So he hires a second ghost writer, Quentin, child care educator who lives under the yoke of his mother.

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

In this melodrama, Marie and Pierre (Danielle Proulx and Marc Messier) are a comfortably middle-class couple who want the ultimate accessory: a baby. Their efforts to conceive naturally have been unsuccessful, so they decide to try using the newest artificial methods of conception. Unfortunately for them, the clinician they contact for help is also given to conducting unauthorized experiments on the human lifespan, cloning, etc. Eventually the fertilization effort is successful, and Marie has conceived quadruplets. The couple discusses this situation while driving, and are killed in an auto accident.

A doctor is confronted with his own illness.