The best Paul Müller’s comedy movies

After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?

The village of mayor Peppone and Don Camillo, after much dispute, gets assigned a sister village in Russia. When Peppone and his comrades decide to attend the ceremony on the other side of the iron curtain, Don Camillo wants to join. Peppone is strictly against this but after Don Camillo threatens him to disclose information about an earlier side step the mayor agrees. Don Camillo arranges for false papers: He is now comrade Tarocci. Only Peppone and the other villagers know who he really is. In Russia the agenda includes various cultural events: Ballet, Opera, a fishing competition and various parties...

The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.

Fracchia is desperate: he has to sell a house within three days, or otherwise his boss will fire him. Mister Filini comes to him, but he asks the impossible, a house with at least five bathrooms for a few thousand dollars. Incredibly, they find a house, a castle in Transylvania which happens to be own by a count Vlad... Filini doesn't want to buy the castle without seeing it first, so the two of them travel to Transylvania, where they meet the count and his sister, who has a crush on Fracchia and decides to marry him! Meanwhile, the sister of a vampire hunter who was killed by Dracula is seeking to revenge her brother.

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

In Zola's Paris, an ingenue arrives at a tony bordello: she's Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She's an actress for a soft-core filmmaker and soon is the most popular courtesan in Paris, parlaying this into a house, bought for her by a wealthy banker. She tosses him and takes up with her neighbor, a count of impeccable rectitude, and with the count's impressionable son. The count is soon fetching sticks like a dog and mortgaging his lands to satisfy her whims.

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

This Italian western comedy has no shooting deaths, but a lot of fistfights. Provvidenza is a bounty hunter. He makes his living solely by catching his dim but powerful friend, the Hurricane Kid (Gregg Palmer) and turning him in for the reward money. A fully armed horseless carriage is one of the inventive elements of this film. One of the film's sillier highlights is an amazingly loud and long belch by the Kid. -From http://www.spaghetti-western.net

An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.

Sophia Loren plays a dual role, as both the sultry Queen of the Nile with a "man-a-night" appetite and a beautiful slave girl who takes her place and is wooed by a bodyguard who thinks she's the real monarch.

A few funny little novels about different aspects of life.

Paolo Coniglio (coniglio is the Italian translation of "rabbit") is a naive and clumsy writer in comics publishing, bullied by his manager and the terrible future mother-in-law. To escape his dreary daily routine, he finds himself the star of very vivid daydreams in Dalia company, the beautiful heroine of the books which is in charge of translating. In the course of his visions he plays with effects tragicomic heroes of popular literature and comics, like Parsifal, Superman and Tarzan. Every time the awakening to the harsh reality is more and more abrupt, when one day, doing shopping, met a charming blonde girl identical to the Dalia of the comic that involves him, in spite of himself, in a shady intrigue. Coniglio finds himself in possession of a box of chocolates in which Dalia has hidden a microfilm that contains the proof of the guilt of Fonseca, powerful underworld boss from unsuspected double life. Coniglio becomes the target of Fonseca, who come to kidnap Dalia.

A private eye who's over his head in debt takes on a job snapping photos of his client's rich husband in bed with another woman. But when the husband winds up with three bullet holes that seem to have come from the private eye's own gun, he's got to prove he's not the murderer meanwhile getting tangled deeper in a web of deceit, lies, and steamy night club dancers!

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.