The best Paul McVey’s music movies
Today we present the best Paul McVey’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Paul McVey’s movies.
Stowaway
7.1/10
Chin-Ching gets lost in Shanghai and is befriended by American playboy Tommy Randall. She falls asleep in his car which winds up on a ship headed for America. Susan Parker, also on the ship, marries Randall to give Chin-Ching a family.
Lillian Russell
6.4/10
Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
Caravan
6.2/10
A countess marries a Gypsy fiddler instead of a baron's son at harvest time in Tokay wine country, Hungary.
Dixie
6/10
A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie."
Sing, Baby, Sing
5.8/10
The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).
Crazy House
6.4/10
Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.
She Had to Eat
6.6/10
An Arizona gas station owner faces comic adventures after traveling with an eccentric millionaire to New City, where he meets up with a small-time con woman and is repeatedly mistaken for a gangster.
Josette
6/10
Two young men try to wrest their father from the clutches of a gold digger but by mistake think the woman is a young nightclub singer with whom they both fall in love.
New York Town
6.3/10
Victor Ballard, a happy-go-lucky albeit impoverished sidewalk photographer, shares a New York City studio apartment with Polish immigrant painter Stefan Janowski. The big city doles out joy and misery indiscriminately: In the apartment below Victor and Steve, Gus Nelson learns that his wife has given birth to quintuplets, while the lonely tenant in the apartment below Gus has given up on life and committed suicide.
You Can't Have Everything
6.3/10
Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...
Silver Skates
5.2/10
The management of touring ice show faces mounting debts.
Music Is Magic
6.2/10
An aging star finally recognizes the truth when she is replaced in her new movie by a girl from the chorus.
Straight, Place and Show
5.7/10
The Ritz Brothers go to the race track. They raise training end entrance money in a wrestling match and help a young man train the horse of his fiancée.
