The best Paul Frees’s music movies

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

In prohibition-era Chicago, the corrupt sheriff and Guy Gisborne, a south-side racketeer, knock off the boss Big Jim. Everyone falls in line behind Guy except Robbo, who controls the north side. Although he's out-gunned, Robbo wants to keep his own territory. A pool-playing dude from Indiana and the director of a boys' orphanage join forces with Robbo; and, when he gives some money to the orphanage, he becomes the toast of the town as a hood like Robin Hood. Meanwhile, Guy schemes to get rid of Robbo, and Big Jim's heretofore unknown daughter Marian appears and goes from man to man trying to find an ally in her quest to run the whole show. Can Robbo hold things together?

Mouser Jaone Tom and housecat Mewsette are living in the French country side, but Mewsette wants to experience the refinement and excitement of the Paris living. But upon arrival she falls into the clutches of Meowrice. Jaune Tom and his friend Robespierre set off to Paris to find her.

An animated, magical, musical version of Dickens' timeless classic "A Christmas Carol." The nearsighted Mr. Magoo doesn't have a ghost of a chance as Ebenezer Scrooge, unless he learns the true meaning of Christmas from the three spirits who haunt him one Christmas Eve.

Striking a zeitgeist nerve, Wild in the Streets stars Christopher Jones (Ryan's Daughter) as Max Frost, rock singer and poster boy for the counterculture revolution of the '60s. While performing with his band, The Troopers, at a political rally for Senate candidate Johnny Fergus (Hal Holbrook, Into the Wild), Max seizes the opportunity to spout his own political philosophies which include, among other things, that the voting age should be lowered to 14. And thus begins the tale of Max's meteoric rise. But as he moves further and further into uncharted waters, first as a voice for the youth movement (or is he just a mouthpiece for opportunist politicians?) and then as a nominee for President of the United States, Max will not bend to the will of the old guard. Instead he begins implementing his own ideas of what would make a better world, including re-education camps for those over the age of 35 along with a liberal dosing of LSD.

In this feature-length film based on the "Flintstones" TV show, secret agent Rock Slag is injured during a chase in Bedrock. Slag's chief decides to replace the injured Slag with Fred Flintstone, who just happens to look like him. The trip takes Fred to Paris and Rome, which is good for Wilma, Barney, and Betty, but can Fred foil the mysterious Green Goose's evil plan for a destructive missile without letting his wife and friends in on his secret?

Professor Ludwig von Drake plays a variety of popular music, all of which he wrote. First, ragtime: the Rutabaga Rag, with vegetables dancing in stop-motion. Next, the Charleston, with cut-out animation of a singer and dancers. Dixieland and more cut-out animation; the crooner/love ballad; 50's doo-wop; and finally, rockabilly.

Animated characters introduce a compilation of George Pal replacement animation Puppetoon short films from the 1930s and 1940s. Originally released in 80 minutes length, The Puppetoon Movie also exists in a subsequently expanded ten minutes longer version.