The best Patti Astor’s movies
We present our ranking of the best Patti Astor’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Patti Astor.
Forever, Lulu
4.2/10
A beautiful novelist gets involved with the violent underworld crime elements in New York City and becomes a target. Alec Baldwin plays the cop who pursues her killers.
Wild Style
7/10
Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city's hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro's passion for his art and his personal life, particularly his strained relationship with fellow artist Rose.
Blank City
7.1/10
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.
Assault of the Killer Bimbos
4.7/10
Two go-go dancers, Lulu and Peaches, are framed for the murder of their employer by the real killer, sleazy gangster Vinnie. Picking up waitress Darlene along the way, the three are involved in wild car chases with cops as they head south to cross the border into Mexico, where they unexpectedly encounter Vinnie in a fleabag Mexican motel.
The Foreigner
5/10
A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.
Snakewoman
Stars Patti Astor as a waylaid heroine fending for herself in the wild, filmed guerilla style in Central Park.
Unmade Beds
4.9/10
This is the story of Rico, a man who lives in New York in 1976 but who lives his own life in Paris during the time of the 'New Wave'. He is a photographer who thinks he's a gangster, a loner, and an outsider. He uses his camera like a gun, loading it with bullets of film. He's constantly on the look for a reality to fulfill his fantasy, and as long as he has that energy, he lives. Of course, he's also a romantic, and this is his downfall, because he believes all photographers to be liars. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted.
Underground U.S.A.
5.1/10
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.
Red Italy
Second feature film by the French-born director is a Bertolucci-style story of a bored, rich woman looking for romance and adventure. She meets an American G.I., dumps him, then falls for a Communist worker.
Kidnapped
3.9/10
Eric Mitchell's debut film, shot in Super 8, stars Mitchell, Anya Phillips, Patti Astor, and Duncan Smith among a crowd of hip "poseurs," talking sex, manners, and politics.
