The best Patrick Bonnel’s comedy movies

At age 17, Eglantine is troubled by a number of things. Her argumentative parents comprise an absentee and philandering father and an overprotective, occasionally alcoholic mother. Her boyfriend Sébastien is a couple of years older; he's ready, but she isn't. Frequent furtive visits to her therapist help her to see that these issues are not 'problems', but 'difficulties', which she has the strength to overcome.

Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.

Perhaps you have to love dogs in order to sell tins of slimy mystery meat to their owners. At any rate Martin, who is indifferent to pets in general, isn't doing all too well in his marketing job at Floppy Dog Foods. But right now this is the least of his problems: he has made a British au-pair pregnant in a one night stand; and while he is trying to figure out how to deal with this, his ex-wife (who divorced him over his not wanting children) and his mother (a militant anti-overpopulation, pro-birth control, pro-abortion activist) have a few comments to offer on the situation. Before his own child is born, Martin clearly has some growing up of his own to do.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.