The best Pascale Audret’s movies

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

This picaresque stream-of-consciousness comedy follows a recently graduated draftsman, Bonifacio, who is offered a job by a large firm. The problem is that Bonifacio is a manic-depressive who is morally opposed to working for large firms - even morally opposed to performing any sort of work whatsoever. Bonifacio wanders the streets of Venice, meeting friends and acquaintances, many of them leftist activists. One rebellious friend he can only visit at the local insane asylum, as the stress/futility of activism has shot his nerves. Bonifacio pursues his prankish thoughts, surrealistically remembering his outrageous fascist childhood and his military service, and wistfully recalling his brief but doomed engagement to the winsome Gabriella - doomed only because he can’t face up to any form of responsibility.

An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.

A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.

In full French Revolution, the young Blanche de la Force decides to protect a convent and so entered the Carmelite order. She meets the cheerful nun Sister Constance and mother Marie, among others, and is happy with them despite the external conflicts and pressures of his father to leave the convent. Film based on real and tragic story from the sixteen Carmelite nuns in the convent of Compiègne in 1794, and collected by the French writer Georges Bernanos in his play of the same name, which in turn was inspired by the piece "The Last of the scaffold" the writer Gertrud von Le Fort.

A boy is kidnapped and murdered on the French riviera. The police, who had watched the delivery of the ransom to TWO men gives chase once they determine that the boy is dead. The police never loses sight of the TWO men who flee on a speedboat and run into an old lighthouse after landing. However, when the police surrounds the lighthouse, THREE men come out, each one claiming that he was there on a stroll and the following investigation can not determine who is lying. The three men are put on trial, but the jury finds them innocent, because they can not determine which two are guilty. Summary justice is made by a mob when the three men leave the court after their aquittal.

"The Pocket Lover" tells the story of Julien, a 15 year-old boy who falls in love with an older woman, later discovered to be a prostitute. Now, Julien will have to face several obstacles, which includes his parents opposition with this affair, and Julien's own perceptions about the woman's line of work, going out with wealthy guys.

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.