The best Pascal Bonitzer’s movies
If you love cinema, you will share this ranking of the best Pascal Bonitzer’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Pascal Bonitzer.
The One-Eyed Man
With his body now devoid of substance and able to fly, N. wanders looking for a way to return to life and reintegrate into the world.
Betty Fisher and Other Stories
6.8/10
Grieving after the death of her young son Joseph, novelist Betty Fisher enters a dark depression. Hoping to bring her out of it, her mother Margot arranges to kidnap another child, Jose, to replace the son Betty lost. Although she knows it's wrong, Betty accepts Jose as her new son. Meanwhile, Jose's mother Carole is looking for her son with the help of her boyfriend Francois and some of his criminal cohorts.
Genealogies of a Crime
6.4/10
At her son's funeral, Solange, a lawyer famous for losing hopeless cases, agrees to defend René, her son's age, accused of murdering his wealthy aunt, Jeanne, who's part of the Franco-Belgian Psychoanalytic Society, known for odd views and methods. She reads Jeanne's journal, documenting René's criminal tendencies. Solange believes him innocent, manipulated into the murder or framed. Odd psychiatrists turn up, including Georges Didier, who runs FBPS, and his rival, Christian, who believes crime originates in a story's taking hold of a person. After the verdict, René and Solange's relationship changes, Georges and his society commit a bizarre act, and the police record Solange's story.
The Key
5.6/10
Depuis peu Eric Vincent, trentenaire sans histoire, a un fort sentiment de malaise. Est-ce la peur d'avoir un enfant ou celle de voir brutalement resurgir le fantôme d'un père qu'il n'a jamais connu ? Un matin, un inconnu l'appelle pour lui proposer de récupérer les cendres de son père. D'abord réticent, il finit par accepter et se retrouve plongé au coeur d'une machination infernale.
Son of Gascogne
6.4/10
You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.
Don't Forget You're Going to Die
6.4/10
Benoit has planned out his life. Unfortunately he has forgotten the military duty. After he is called to duty he tries everything to get around. He goes to a psychiatrist who gives him medicine against depression. As this doesn't work out he tries suicide. The story gets even worse as he is told by a military doctor that he is HIV positive. Benoit tumbles down into the drug scene. Then he goes to Italy and meets Claudia. Things seem to improve, but only for a short time...
Nothing About Robert
6.3/10
Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.
Stray Bullets
6.1/10
The Clouzot Scandal
7.1/10
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.
Why (Not) Brazil?
4.9/10
A film director, whose career is going downhill, reluctantly decides to adapt an inadaptable best selling novel. Will she succeed or will the book adapt her in the process?
The Suspended Vocation
6.6/10
The film centers on a Dominican monk named Jérôme (played by one actor in colour and another actor in black-and-white) and his interactions with various higher-ups within the French Catholic Church. Ruiz's intention was to reflect the ideological arguments that plagued Latin American left-wing political parties.
