The best Paolo Triestino’s movies

The Razzi family owns a small factory of sweets in Macerata. Their desire to enlarge their business to cope with the new Unified European Market brings to a string of fatal mistakes that will ultimately doom their wealth.

The vicissitudes of three couples of newlyweds from the celebration of weddings to their respective honeymoons.

The life and times of Armando Feroci, a fortyish year old, who's been everything, a divorced husband, a careless father, an unreliable brother. The story is told in flashback by his friends while Armando has been mysteriously kidnapped in an Arab country by an integralist group and condemned to death.

When a man fires a hotel maid for stealing, the woman's son gets his revenge.

Fulvio is the only one of the three brothers to have left the village to go to work in the city. Deputy chief of staff in a large company, he dismisses people without remorse until he gets fired himself and after being jailed for beating his superior, is entrusted to his brother, who's a pastor in the village where they grew up. Forced into a place far from the modern world, Fulvio decides to help the local church in crisis by inventing a miracle that makes everyone believe that the saint's statue weeps. Tourists and pilgrims rush to the village and are filling the pockets of local businesses until the Vatican decides to send someone to certify the event. Fulvio must confess the scam, but the entire village will rise to convince the envoys of the Holy City for the veracity of the invented miracle.

The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.

Eight episodes vaguely inspired to real events. The "fil rouge" is the relationship between the Italians and sex in the first years of 2000s. From prostitution to virtual sex all the categories are represented in a funny way that anyway tries to investigate this kind of reality.

An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.

Giacomo, the main character, 35 years of laziness, is a man who doesn't know and doesn't want to fight. He is a introvert curmudgeon, a little bit nerd but not very social, who walks with the look downward on his device without giving to the people what they would like from him: only a little bit of attention and enthusiasm. He loses his job, he is left by his wife and coincidentally he remains closed in the women's bathroom of the art-house cinema, together with the owner's small dog.

Italian comedy about casual work