The best Óscar 'Cacho' Espíndola’s movies

Hearing the summons from an elderly man, a volunteer troop of middle-aged men gather to defend their country from dark foreign invaders.

The story of a delinquent eleven-year-old orphan in fascist Argentina.

The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme.

Laucha (Alberto) is a regular middle-aged guy who lives with his elder mother and works at a factory. After a night out where he attends a show by transvestite artist Dominique, he develops an unexpected fixation with the artist. What started out as a loud reaction of disgust and bigotry, slowly turns into him realizing that he is in fact infatuated by Dominique. This newfound interest fills Laucha's mind with guilt and doubt, while his coworkers start mocking him for dating a "wierdo", and his family grieve his lost decency. In the midst of Laucha's predicament, a revelation by Dominique will shake the board.

The abuse endured by an indomitable prostitute does not kill her spirit in this drama based on short stories by Bernardo Kordon. Luisa (Susu Pecoraro) and her older sister Herminda (Ana Maria Picchio) are streetwalkers in Buenos Aires, but very different in their attitudes. Where Herminda is blithely frank about her job, Luisa is not as casual. On a trip home to bring her mother and little brother to the city (to help care for Herminda's baby), Luisa is viciously gang-raped by her former boyfriend and his cohorts -- but she endures. She eventually gets a job in a massage parlor but is fired when she nixes a client -- and she still endures, back on the streets again. Her sister scorns her, her new boyfriend dumps her, a dear friend is murdered -- yet Luisa never gives in to despair. Popular at the Argentine wickets, this drama has much going for it -- in particular a woman who is a victim but denies it with no problem at all.

The moral conflicts of a conservative politician, his wife and a bully, in the Buenos Aires of the early twentieth century.

Three young men from different social groups finish the military service and have to confront the complexities of the Argentinian reality.

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Juan Libonatti, a seller of fine wines, like up in the company where he works. His car, a brand new Citroen, will be an essential tool to sell more wine in less time and be able to move up. But one day it is stolen and he had not paid the insurance fee. That will be the beginning of a tragedy that will lead to self-destruction.