The best Olivera Katarina’s movies
If you love cinema, you will share this ranking of the best Olivera Katarina’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Olivera Katarina.
Mark of the Devil
6.1/10
In 1700s Austria, a witch-hunter's apprentice has doubts about the righteousness of witch-hunting when he witnesses the brutality, the injustice, the falsehood, the torture and the arbitrary killing that go with the job.
Hell River
5.4/10
Yugoslav partisans battle Nazi invaders in a series of bloody confrontations which eventually culminate in the Battle at Hell River.
I Even Met Happy Gypsies
7.7/10
The protagonist, Bora, is a charming but mean-spirited gypsy, while his older wife, Lence, is submissive. Bora is in love with the younger Tisa, who is being offered in marriage by her father. The two get themselves in trouble and eventually have to flee. Tisa rejects her husband and she and Bora get married in the church, and their adventures continue.
Fraulein Doktor
6.4/10
A seductive and ruthless spy in the service of Germany steals state secrets- including the formula for poison gas-from England and France during World War I. British intelligence, in turn, tries to hunt her down.
Kiss Kiss, Kill Kill
5.9/10
Tony and Brad investigate the murders of politicians and scientists. They soon face off against a team of super hit women with their usual flair.
Commandments for a Gangster
5.7/10
Northon is a retired gangster wants to avenge the death of his sister, who was married to Frank Cline. Cline disappeared while transporting a large shipment of the Organization's gold, leaving three dead bodies behind him. Northon follows the trail to the sunken ship and tries to beat rival gangsters to the lost gold.
Goya: Or the Hard Way to Enlightenment
7.1/10
As a painter in the court of King Carlos IV, Goya has attained wealth and reputation. He believes in King and Church, yet he is also a Spaniard who dearly loves his people. This contradiction presents him with a dilemma.
The Dream
7.5/10
In the whirlpool of WW2, two peaceful towns that already tasted peace are attacked by the Germans once again. The partisans retreat and casualties are high, but the dream of a boy and a girl about their liberated towns could not be destroyed.
The Dervish and Death
7.1/10
Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.
Ann and Eve
4.5/10
The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety) commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'
Tears for Sale
6.8/10
Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.
The Swarm
8/10
During turbulent times of the First Serbian uprising in 1804, on a freshly liberated land, a woman who betrayed her husband to the Turks has been taken to the court. A complicated truth and the real motives of the case get overlooked by the judge, a neutral Turk.
Red Blow
6.7/10
At the beginning of the war the Germans come to the mine Trepca in Kosovo and occupy it. Communist Party and the workers do not agree with that and under constant repression, beginning small diversions, which will be transferred in the conquest and liberation of the entire mine.
Do Not Mention the Cause of Death
7.1/10
In an atmosphere of WWII, a village dyer wants to help his folks in their sorrow and distress by supplying them with the black paint, but there is not enough black paint for all of them, because death works faster than the dyer. His wife was raped, but the naive dyer believes in "straight" intentions of his godfather - black marketeer, and he gives away free canvas to the people. But in all their pain, people are unable to distinguish good intentions from the evil ones.
The Soldier
5.8/10
A story of a boy, forced to grow mature before his time and to die too early because of the cruel war circumstances. This film is dedicated to all the children who have died during the National Liberation War.
There's Love, There's Not
6.6/10
Everything happens during the course of a day. A toddler looks for his lost toy, some people look for their happiness, circling around in some kind of a lost kaleidoscope; they love and hate, suffer and enjoy, being that honest or fake, joyful or saddening. In the end, the boy finds his kaleidoscope, but the question remains if grownups have found their dreams, or at least their traces.
Good Luck Hunting
7.7/10
An Australian of German descent has come to Yugoslavia on a hunting trip. He has an arrangement to hunt deers on the hunting ground high in Bosnian mountain. He shoots running deers straight in the head with his sniper carbine. This master shooting arouse suspicion with the gamekeeper that the stranger might be the notorious Nazi sniper who murdered many innocent civilians the same way during WWII.
Seven Easy Pieces
7.7/10
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
