The best Oka Antara’s movies

Escalating climate change is turning the world economy upside down. With crops dying and food price spiking, FOOD has replaced oil as the world's most valuable commodity. Among the very few lands still left fertile, Indonesia is quickly rising as the next economic superpower, when its government is suddenly and ruthlessly overtaken by a popular rogue political party. In just three days, six former Marines must work together, find their long-lost brotherhood, stop a nationwide government- sanctioned genocide, and save millions of lives, for one last shot at redemption. Or die trying.

After fighting his way through an apartment building populated by an army of dangerous criminals and escaping with his life, SWAT team member Rama goes undercover, joining a powerful Indonesian crime syndicate to protect his family and uncover corrupt members of his own force.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Mr. Nomura is an eerily handsome, sharply dressed, sociopathic serial killer who preys on the women of Tokyo. In Jakarta, a world-weary journalist named Bayu finds himself unexpectedly falling into vigilantism after brutally killing two sadistic robbers. When each posts videos of their violent sprees online, the pair find one another on the Internet and begin a toxic and competitive duel. While Bayu clings to the hope that he can resume a normal life, Nomura continues to spill blood without remorse. Killing, advises Nomura, is something everyone ought to consider.

Because of an incident when they were in high school, members of the Bebas Gang were forced to separate. 23 years later, one of them is seriously ill and hopes to meet again one last time.

To find his true identity as a guardian of the universe. Raga with the help of his uncle Jaya, Raga must face the forces of evil in order to protect two universes, the human world and the spirit world.

Harboring a deep secret, a seemingly happy family confronts the trauma of years past as a clash between generations threatens to separate them.

An epidemiologist turns her nationwide bird flu investigation into a chance to sample local delicacies en route, with three friends along for the ride.

With special agreement with his sister, not so close son agree to accompanied his strictly religious father journey to find "Hilal".

Fahri attracted many women, including Maria, Nurul, and Naora. They hide their feelings until Fahri's marriage with Aisha which broke their hearts.

Anissa struggles as a child, a mother and a wife in the environment of a conservative Islamic tradition. The hope of becoming an independent Muslim woman for Anissa collapsed amidst the obstacles of her conservative family.

Tania is the golden child of the teachers because she is smart. But her schoolmates find her too serious. Moli, the new student, is the exact opposite of Tania. But the other students, also reject her for being too extreme. Nobody is willing to go with Moli except Tania. Seeing Moli’s life, Tania suddenly feels that her life is very boring. She starts doing all the things that Moli does - speeding in a car, clubbing, cigarettes, alcohol, and even sex. Tania enjoys all this, especially the attention she gets from her schoolmates due to the change in her. When her family finds out about her dramatic change, Tania chooses to get away from them. However the party ends when Moli leaves her. And Tania has to fight alone to find the way back to her true self.

Orphaned by a tragedy that took the lives of her parents, Srintil grows up in a poor Indonesian village aspiring to be a sacred dancer.

This omnibus film consists of three films made by three directors from three countries. With “Journey” as the theme, each of these films tells about a journey. “The Sea” is a film by Degena Yun (China), telling about mother and child’s trip to the sea from Beijing. “Hekishu,” a film by Daishi Matsunaga (Japan), tells about the journey of a Japanese businessman involved in infrastructure development in Yangon. The film depicts the entrepreneur’s emotional feelings in the face of Yangon residents who lost their homes due to the construction of the new infrastructure. The last is a film titled “Variable No. 3” by Edwin (Indonesia), which tells the story of a couple’s journey to Tokyo. There they meet a mysterious man. The man who works as a tour guide and rents out the inn, gives a strange advice to the husband and wife.

It tells about a girl in hesitation before her marriage, for her ex-lover, who once shared 8 years of romance with her, returns to her life. In the end she must choose one of them.

Pras wants to realize his dreams of having a significant life and career as a journalist, but Jakarta changes everything.

A hotel owner orders Marwan and his team to remove the mentally ill people from the streets, and cast them into the forest so as not to disturb his guests. However, Marwan has another plan.