The best Norihei Miki’s movies

The Raccoons of the Tama Hills are being forced from their homes by the rapid development of houses and shopping malls. As it becomes harder to find food and shelter, they decide to band together and fight back. The Raccoons practice and perfect the ancient art of transformation until they are even able to appear as humans in hilarious circumstances.

Older, wiser but still a wandering loner, the blind, peace-loving masseur Ichi seeks a peaceful life in a rural village. When he's caught in the middle of a power struggle between two rival Yakuza clans, his reputation as a deadly defender of the innocent is put to the ultimate test in a series of sword-slashing showdowns.

Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.

Nobuhiko Obayashi, director of the cult horror/comedy "House," gives his unique spin on the true story of Sada Abe, who strangled her lover and cut off his genitals as a keepsake.

Itinerant masseur and master swordsman, the blind Zatoichi, is near the village of his teacher, Hikonoichi, so he decides to visit. He learns of Hikonoichi's recent robbery and murder and the imprisonment of his virginal daughter, Osayo, in a brothel. Through friendship with Denroku, a local dice thrower and devoted father, Ichi uncovers an unholy alliance between the governor and the area strongman: among their scams is falsifying tax records to put farmers in debt, then forcing their daughters into prostitution at the boss's brothel. With help from Denroku's daughter, Otsuru, Ichi comforts Osayo until he can provoke showdowns with the villains and their henchmen.

The film depicts carnivalesque atmosphere summed up by the cry "Ee ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Kokyo, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.

At the time between the World Wars, Japan is involved in empire-building throughout East and Southeast Asia. After a brief career as a low-level military adventurer, Iheiji sets up chains of brothels throughout Asia. As Japan's power in the region grows, so does Iheiji's prosperity and patriotism.

When a tycoon passes away, he unexpectedly leaves the family fortune to outsider Tamayo on the condition that she marries one of the grandsons, pitting blood against blood.

A car going at 25 mph plunges into the sea at Shinko Harbour, Toyama prefecture. Inside is the local business magnate Fukutaro Shirakawa, who perishes. Riding alongside him and surviving unhurt is his second wife, Kumako. It soon comes to light that Kumako’s husband was insured for 300 million yen and she is arrested on suspicion of murdering her husband for the insurance money. The newspapers denounce her as an evil woman, while the public is in no doubt about Kumako’s crime. Ritsuko Sahara is chosen as her defence attorney but the pair clash over almost everything...

Kôsuke Kindaichi, a somewhat peculiar private detective, visits a remote town. He meets a police detective and they start to investigate an old unsolved murder. Then some murders happen. Kindaichi must find out about the past in order to reveal who the murderer is.

A scruffy detective investigates the murders of three sisters on a small Japanese island in 1946.

Tatsuo, a reverent lumberjack, seeks to disrupt plans to build a marine park on his family land, instead promoting his traditions in reactionary ways.

A large earthquake hits Tokyo, which was predicted by a seismologist but was ignored.