The best Noreen Nash’s drama movies

Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons.

Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?

A progressive pastor takes on thoughtless brutality (and constitutional scruples against search and seizure) in order to promote animal cruelty protection laws.

American-International did not invent the juvenile delinquents-jalopies-reckless driving-hot rodders-build it at home-chicken playing genre of movies. PRC and Monogram started churning them out in the mid-forties as part of their let-this-be-a-lesson-to-you genre, preceded by the zoot-suiter and jitter-buggers films, which was better than the social guidance films teen-agers were being overdosed on at school. PRC did at least use card-carrying members of SAG. This one is a sermon against speeding, and Darryl Hickman has it brought straight home to him when he side-swipes a car and causes a collision in which his best friend is killed---the fate of all best friends in juvenile-theme movies including "Rebel Without a Cause"--- and his mother is injured. Lots of lecturing precedes and follows.

A gang of bank robbers is pursued by an insurance investigator.

Ken Williams (James Brown), a star basketball player on a college team learns that a police lieutenant (Regis Toomey) is the head of a gambling ring attempting to fix basketball games by bribing the players.