The best Nino Vingelli’s drama movies

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

This cop doesn't carry a gun - his fist is loaded!

The amorous adventures of Andrea Rossi-Colombotti, an army officer who finds pleasure with beautiful women in life-threatening situations.

On the Italian/Austrian front during World War I, a disastrous Italian attack upon the Austrian positions leads to a mutiny among the decimated Italian troops.

In this period piece set in Italy, Nicola Bellizzi dreams of becoming a lawyer. However, when he seeks the reason that people are reluctant to help him in his goals, he discovers that some of his blood relations are high-ranking members of the Mafia. He tries to break away from his family obligations, but falls into a life of crime and violence.

Vito Polara is ambitious and wants to get as more power and money as possible. He decides to leave the cigarette smuggling and try to get the total control of the regional fruit and vegetable distribution considered more profitable. He looks for the help of a rural crime Boss.

Marshal Antonio Carotenuto is sent to a remote Italian mountain village named Sagliena. He's anxious to marry, and selects young Gina Lollobrigida as his bride; but she is already in love with his shy subordinate Roberto Risso. Mistaking her headstrong behavior as promiscuity, Carotenuto makes advances towards her, but she spurns him. Forsaking the girl to the arms of Risso, the Marshal decides to settle for village midwife Marisa Merlini. Things become more complicated when Annarella, the midwife, starts demonstrating her love to Antonio. She is hiding a secret and the Marshal soon will be in a difficult situation.

Mario is in Hannover to work as a miner but after losing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job as "magliaro" (cloth seller), Mario changes his mind and decides to follow Totonno to Hamburg. In Hamburg, Totonno and his friends have to sell Mayer's cloth, but they meet with the hostility of a Polish gang and Mario falls in love with Paula Mayer.

On the Don, when there was a turning point in World War II, the Italians were at the center of events, they had to defend themselves and retreat. Together with the great German army, they advanced at the beginning of the war east, to Moscow. The Germans did their best to save the situation, throwing more and more reserves, not sparing the Italian soldiers. They treated them as unnecessary animals, leaving them off the road, leaving them without food and warmth. Among the retreating was the foreman Gabrielli — the main character, he will no longer be destined to see his homeland, he will freeze in the field.

Brassac is a drunken veterinarian who can't resist bringing home stray animals and humans. Lilli Palmer plays his long-suffering wife Marie. When he brings home the prostitute Simone, Brassac is not sure he is acting out of concern or lust. He beats up the pimp who comes looking for Simone, and Brassac is happy when she later falls in love with his neighbor, and they make Brassac a "grandfather."

A forty-year-old employee marries a seemingly quiet girl who turns into a mantis after the wedding.

A 1966 French-Italian film version made in Italy, titled L'uomo che ride, directed by Sergio Corbucci. This version features elaborate colour photography but a very low production budget. The main action is shifted to Italy and moved yesterwards in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. In this version, Gwynplaine is renamed Angelo (played by Jean Sorel). His disfigurement is represented as a single broad slash across his mouth, crude yet convincing. The story (which is attributed, in the movie credits, to the director, producer and others involved in making the film, but not to Victor Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias. At the end, Dea (actress Lina Sini) miraculously acquires her eyesight and Angelo undergoes surgery that completely reverses his disfigurement and renders him perfectly handsome.

italian movie