The best Nina Simone’s movies

A 1970 American documentary film biography of Dr. Martin Luther King, Jr., presented in the form of newsreel footage and segments of recordings by Dr. King, framed by celebrity narrators, including Marlon Brando, Paul Newman, Joanne Woodward, Ruby Dee, James Earl Jones, Clarence Williams III, Burt Lancaster, Ben Gazzara, Charlton Heston, Harry Belafonte, The movie was produced by Richard Kaplan and Ely Landau.

Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of black women in the United States.

The life, legacy and musical accomplishments of singer, musician, pianist, songwriter and Civil Rights activist, Nina Simone through interviews with over 50 of the subject’s friends, family, band members, lovers and fellow activists. The film has been called the best of the three Nina Simone films by The New Yorker Magazine.

The Harlem Cultural Festival, also known as "Black Woodstock", was a series of music concerts held in Harlem, Manhattan, New York City during the summer of 1969 to celebrate African American music and culture and to promote the continued politics of black pride. The concerts took place in Harlem's Mount Morris Park on Sundays at 3PM from June 29, 1969 to August 24, 1969. The manifestation came soon after the Watts Riots, and the assassinations of Malcolm X and Martin Luther King.

The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

Ronnie Scott’s opened in 1959 to provide a place where British Jazz musicians could jam. Eventually, American music musicians such as Johnny Griffin, Roland Kirk, Al Cohn, Stan Getz, Sony Stitt, Benny Golson, Donald Byrd, and Ben Webster played at the club making it the legendary Jazz club it is today. Today, the club still books the greatest Jazz acts in the world, but also plays host to such diverse musicians as the talented Nina Simone. This film features Nina Simone (vocals, piano) delivering an intense emotional performance at the legendary Ronnie Scott’s in Soho, London on November 17, 1985. Simone is an eclectic musician, who adds a soulful mystique to whatever material she interprets. This brilliant performance at Ronnie Scott’s is testament to this fact.