The best Nimmi’s movies
Today we present the best Nimmi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Nimmi’s movies.
Bhai-Bhai
6.2/10
A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).
Deedar
7/10
A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.
Basant Bahar
7.4/10
The only son of the Royal Astrologer, Narsin (Om Prakash) namely Gopal (Bharat Bhushan) is not interested in astrology but in music and songs, much to the dismay of Narsin.
Daag
6.7/10
Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.
Four Hearts, Four Roads
7.7/10
1959 film starring Raj Kapoor, Ajit and Shammi Kapoor
Flying Cart
7.5/10
When a plane crashes the pilot is saved by the beautiful Soni and the two fall in love, unfortunately, however, the local queen also falls in love with him.
Barsaat
7.2/10
The moody, music-filled romance Barsaat was Raj Kapoor’s first megahit and first film with composers Shankar-Jaikishan, the hit-writing duo who would hereafter score Kapoor’s films. Barsaat shuttles between the stories of romantic idealist Pran (Kapoor) and his more carnally-driven best friend Gopal (Prem Nath), who both meet and romance the daughters of innkeepers. Gopal loves and leaves Neela (future star Nimmi, in her debut), vowing to return when the monsoon comes, while Pran woos Reshma (Nargis, Kapoor’s main leading lady) with music until her father ends it, claiming all city boys are degenerates. In an attempt to see Pran once more, Reshma falls into a river and is presumed dead… (Encyclopaedia of Indian Cinema). —Pacific Cinémathèque
Sazaa
6.4/10
Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.
Aan
6.8/10
A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.
Kundan
7.3/10
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
Akashdeep
7.3/10
Shankar, who saw his poor father die a disappointed death, works very hard and goes on to become a mill owner. His brother Madhu, however, prefers to run their father's old tea stall.
Aandhiyan
7.7/10
Ram Mohan (Dev Anand) an honest lawyer is in love with Janaki (Kalpana Kartik) the beautiful daughter of Din Dayal. Din Dayal accepts the marriage proposal. Kuber Das (K N Singh), a rich businessman has a lustful eye over Janaki. In order to marry Janaki he devises a wicked plan.
Love and God
6/10
Based on the ill-fated love story of Laila and Majnu, this version shows them as inseparable childhood sweethearts, and subsequently as each others lovers. They want to get married, but as their fathers' (Emir E Basra, and Emir E Yemen respectively) are sworn enemies of each other, they are not permitted to see other, leave alone get married. Separated from each other, they long and pine for each other.
Pooja Ke Phool
7/10
Balraj (Dharmendra), affectionately called Raj, by his elder brother (Nana Palsikar) and sister Vija (Madhumati), is a student in college in the arts semester. As the family is not very rich, Raj decides to move from the hostel to the residence of a family. He finds one such family in Gandhinagar, which consists of Choudhury Hukumat Rai (Ashok Kumar), a lawyer by profession, his wife (Nimmi), and only daughter Shanti (Mala Sinha). Hukumat takes an instant liking to Raj, and tells him that his wife will only allow him to take up residence if he tells her that he is already married. Raj reluctantly does so, and thus acquires residence with the Rai family. Eventually Mrs. Rai takes a liking to Raj, so does Shanti. Shanti finds out Raj and her dad had lied to the family about Raj's marital status, she confronts Raj, and he readily admits that he lied.
Amar
6.9/10
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
