The best Neal Barry’s movies

A series of murders has shaken the community to the point where people believe that only a legendary creature from dark times – the mythical Golem – must be responsible.

Political strategist Dominic Cummings leads a popular but controversial campaign to convince British voters to leave the European Union from 2015 up until the present day.

Set in the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. So they created the LGSM (Lesbian, Gays, Support the Miners) but there is a problem. The Union seems embarrassed to receive their support.

Set against the turbulent backdrop of London in the 1940s, this adaptation of Sarah Waters' bestselling novel, The Night Watch, follows four young Londoners inextricably linked by their wartime experiences. In a time when the barriers of sexual morality and social convention have been broken down, Kay, Helen, Viv and Duncan enjoy a freedom never experienced before. Moving back in time through the 1940s into the maelstrom of the Blitz, the lives, loves and losses of these four central characters are unravelled. For them, the post-war victory is bittersweet, for it returns them to the margins of society, from which they hoped they had been liberated. In order to build their future they must each make peace with their past.

When Mr. Whicher, a retired policeman, helps a country lady to find her niece, he is drawn into a disturbing case of murder which brings him up against wealthy and powerful figures and throws him into conflict with his former police colleagues.

Ray, a young boy on the cusp of adolescence who finds himself standing trial for murder. Moving into his mother Veronica's home to be with his elder brother Nathan, 23, Ray witnesses an argument which escalates into a violent axe attack perpetrated on his brother by his mum's partner Scott.

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.