The best Nausicaa Bonnín’s movies

A woman’s body disappears mysteriously from the morgue without a trace. Police inspector Jaime Peña investigates the strange occurrence with the help of Álex Ulloa, the widower of the missing woman.

When her son's alleged kidnapper is released for lack of solid evidence, a reputable and well-known attorney takes matters into her own hands with unintended and spectacularly disastrous consequences.

Based on the incredibly true story of a Spanish man with Multiple Esclorosis who tried to finish an Iron-Man: 3,8km swimming, 180km cycling and 42 running. And he was told that he could not make 100 meters.

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.

When the Vichy authorities close the Elna Maternity Hospital, which welcomes pregnant women from the concentration camps, its director, Elisabeth, and Victoria, will sacrifice themselves to save it. Television film written by Margarita Melgar and directed by Sílvia Quer (' 'Velvet' ', (' 'Gran Hotel' '), set in northern Catalonia during the summer of 1942. The film is based on real events and narrates the prowess of Elisabeth Eidenbenz, founder of Elna's Maternity, which along with her collaborators restored dignity to pregnant women in the Argelers and Ribesaltes internment camps in Vichy France Motherhood welcomed hundreds of women and saved 597 babies from certain death.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.