The best Nat Pendleton’s movies

Nat Pendleton

Nat Pendleton

09/08/1895- 12/10/1967
Today we present the best Nat Pendleton’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Nat Pendleton’s movies.
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Baby Face

Baby Face
7.5/10
  • Genre: DramaRomance
  • Release: 13/07/1933
  • Character: Stolvich a Laborer (uncredited)
A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

The Thin Man

The Thin Man
7.9/10
A husband and wife detective team takes on the search for a missing inventor and almost get killed for their efforts.

Another Thin Man

Another Thin Man
7.3/10
Not even the joys of parenthood can stop married sleuths Nick and Nora Charles from investigating a murder on a Long Island estate.

Northwest Passage

Northwest Passage
7/10
Based on the Kenneth Roberts novel of the same name, this film tells the story of two friends who join Rogers' Rangers, as the legendary elite force engages the enemy during the French and Indian War. The film focuses on their famous raid at Fort St. Francis and their marches before and after the battle.

Manhattan Melodrama

Manhattan Melodrama
7.1/10
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.

Penthouse

Penthouse
6.8/10
Gertie Waxted knows how notorious gangster Jim Crelliman runs his rackets, because she's long been under the hoodlum's thumb. She's secretly helping lawyer Jackson Durant in a snoop job aimed at pinning a murder on the thug. Her life will be in peril when that secret gets out.

Horse Feathers

Horse Feathers
7.5/10
  • Genre: ComedyMusicRomance
  • Release: 19/08/1932
  • Character: MacHardie - Darwin Player (uncredited)
Quincy Adams Wagstaff, the new president of Huxley U, hires bumblers Baravelli and Pinky to help his school win the big football game against rival Darwin U.

The Sign of the Cross

The Sign of the Cross
6.8/10
After burning Rome, Emperor Nero decides to blame the Christians, and issues the edict that they are all to be caught and sent to the arena. Two old Christians are caught, and about to be hauled off, when Marcus, the highest military official in Rome, comes upon them. When he sees their stepdaughter Mercia, he instantly falls in love with her and frees them. Marcus pursues Mercia, which gets him into trouble with Emperor (for being easy on Christians) and with the Empress, who loves him and is jealous.

Taxi!

Taxi!
6.6/10
  • Genre: CrimeDrama
  • Release: 23/01/1932
  • Character: Bull Martin (uncredited)
Amidst a backdrop of growing violence and intimidation, independent cab drivers struggling against a consolidated juggernaut rally around hot-tempered Matt Nolan. Nolan is determined to keep competition alive on the streets, even if it means losing the woman he loves.

The Great Ziegfeld

The Great Ziegfeld
6.6/10
Lavish biography of Flo Ziegfeld, the producer who became Broadway's biggest starmaker.

At the Circus

At the Circus
6.8/10
  • Genre: ComedyMusic
  • Release: 20/10/1939
  • Character: Goliath
Jeff Wilson, the owner of a small circus, owes his partner Carter $10,000. Before Jeff can pay, Carter lets his accomplices steal the money, so he can take over the circus. Antonio Pirelli and Punchy, who work at the circus, together with lawyer Loophole try to find the thief and get the money back.

Phantom Raiders

Phantom Raiders
6.1/10
In this second Carter mystery, a mysterious rash of cargo ships sinking in Panama leads insurers Llewellyns of London to hire vacationer Nick Carter and his eccentric associate Bartholomew to investigate. Nick recognizes influential nightclub owner Al Taurez as a shady operator, but getting the goods on him depends on slick diversions involving the heavyweight champ of the Pacific Tuna Fleet, a Panamanian bombshell armed with American slang, a young couple in love and a whole raft of crooks and cutthroats.

Complicated Women

Complicated Women
7.7/10
A look at actresses who starred in films with thought-provoking subjects made between 1930 and July 1934, before the Hollywood Production Code —the infamous Hays Code— was enforced.

Reckless

Reckless
6.4/10
  • Genre: ComedyDrama
  • Release: 19/04/1935
  • Character: Blossom
A theatrical star, born on the wrong side of the tracks, marries a drunken blue-blood millionaire.

Parachute Jumper

Parachute Jumper
6.4/10
  • Genre: Drama
  • Release: 28/01/1933
  • Character: Motorcycle Policeman (uncredited)
An Air Force washout and his buddy room with a pretty young lady. Desperate for jobs during the Depression, they finally land employment with the mob.

Blonde Crazy

Blonde Crazy
7.1/10
Adventures of a cocky con man and his beautiful accomplice.

The Big Parade of Comedy

The Big Parade of Comedy
5.8/10
Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

Buck Privates Come Home

Buck Privates Come Home
6.8/10
  • Genre: Comedy
  • Release: 04/04/1947
  • Character: Sgt. Michael Collins
Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.

Buck Privates

Buck Privates
7/10
  • Genre: ComedyMusic
  • Release: 31/01/1941
  • Character: Sgt. Michael Collins
Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.

Lady for a Day

Lady for a Day
7.4/10
  • Genre: ComedyDrama
  • Release: 13/09/1933
  • Character: Shakespeare
Never-wed, poor, rough around the edges Apple Annie has always written to her daughter, Louise, in Spain that she is married and a member of New York's high society. Upon receiving unexpected word from Louise (who hasn't seen Annie since infancy) that she is en route to America with her new fiancé and his father, a count, so the three of them can meet her, Annie panics, despairing that her beloved daughter will be destroyed by the deception.

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