The best Nao Albet’s movies
Today we present the best Nao Albet’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Nao Albet’s movies.
Superlopez
5.4/10
Juan López must balance an office job with heroic feats to save the love of his life and native planet Chitón.
The Good Boss
7.1/10
Awaiting a visit by a committee that could give his company an award for excellence, the owner of an industrial scales manufacturing business tries to resolve any problems from his workers in enough time.
Stranded
4.3/10
The last train travel of the year from Barcelona to Madrid, suddenly stops by a voltage drop in the middle of nowhere during a fierce snowstorm. Because of the peculiarity of its passengers, will begin to emerge hilarious conflicts between them.
Strangers
6.4/10
A family seen at two different periods, some 40 years having passed between the two. A dysfunctional family marked by what used to be called an ugly illness, cancer and death. The characters quarrel, hate each other, and refuse to accept in their predecessors what they will eventually, inevitably repeat in themselves. A family marked by relations of rejection, love and hate of the other, the upstairs neighbors, those strangers from a far-off land, Andalusia in the 1960s, Morocco at present, who will also form part of this repetitive game that is life. To what point is everything a metaphor or symbol of our society? Are we really strangers to ourselves?
Ovella
6.3/10
Ove is a young man who has been treated and raised like a sheep all his life. His daily life consists of eating, sleeping, grazing and hanging out with LL, the only sheep in the herd that seems to accept him.
Mammon
Two young promises of theatre fall into the nets of greed as they try to raise the money needed to carry out their most ambitious montage. A spiral of nonsense, drugs and lies, which begins in Syria and ends in Las Vegas.
The Power of Silence
7.2/10
Prades, France, 1940s. The exiled Catalan cellist Pau Casals decides not to perform any more in public until the fall of the dictatorship that oppresses Spain. Pierre, a young Frenchman studying with Casals, tries to convince him to celebrate an extraordinary concert as a tribute to freedom.
Cançó per a tu
6.2/10
Barcelona, 1966. Laia is a Law student at the University of Barcelona. She works part time in the University library to help cover her tuition, and writes songs in her free time. Laia starts dating Ignasi, a student who is committed to the clandestine fight against the Franco regime. Someone breaks into their relationship; David, Ignasi's best friend. A shallow boy from a well-to-do family. But David is not who he seems to be.
The God of Wood
5.7/10
Yao and Moroccan Rachid arrive illegally in Valencia, Spain, and separate. Yao sells pirated DVDs in the street and wanders disconsolately around the barrio until he glimpses divorcee Maria Luisa working in her boutique. High-strung and irritable, Maria lives with her gay son, Rober, who, like many other things in life, is a disappointment to her. Rachid, meanwhile, is doing just fine working as a hairstylist in a beauty salon; Rober is hopelessly in love with him. When Yao starts sleeping in Rober's flat, a confrontation between him and Maria suddenly becomes inevitable, and when it comes, what could have been an embarrassment is actually handled with grace.
