The best Nagineedu Vellanki’s movies on YouTube
If you love cinema, you will share this ranking of the best Nagineedu Vellanki’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Nagineedu Vellanki.
Oru Naal Koothu
6.8/10
A bunch of characters, each with their own set of problems, try to tackle the question of marriage that hangs over their lives.
Kaaki Sattai
5.8/10
Mathimaran, a police constable, wants to do something worthy of his job and stumbles upon an organ trafficking ring run by Durai that is exploiting immigrant labourers. But, with Durai's connections inside the force and in politics going deep, can the cop succeed?
Shourya
6.3/10
Shourya (Manoj) completes his studies in the renowned Harvard University but comes to India to lead a life of a teacher. He helps the needy people. One chance meeting with Netra (Regina), a MP's daughter, turns into friendship and love blossoms. One day, they head to Kotilingala to do the jagaranam (staying awake at the night) in the temple. Late in the night, Netra's throat is slit by some unknown persons and immediately they take her to the hospital. Naturally Shourya becomes the suspect. What really happened? Who did this? Or has Shourya slit her throat as the police believe? Shourya (Manchu Manoj) is a highly educated individual who is in deep love with Nethra (Regina Cassendra). Due to unknown reasons, the couple decide to elope but an unfortunate series of events lead to Nethra being murdered. Twist in the tale arises when Shourya gets framed for the murder.
Yatra
7.6/10
The film focus especially on the period from 1999-2004 when YSR undertook his famous Padayatra which ultimately proved instrumental in catapulting him to a comprehensive victory in the 2004 polls.
Bhaagamathie
7/10
Accused of murdering her husband, IAS officer Chanchala, is taken to a haunted house called Bhaaghamathie Bungalow, where police and CBI officials interrogate her to dig up dirt on a politician she had worked under. As she's left alone in the haunted house, spirits take control of her and IAS Chanchala transforms into an unrecognisable person. How this impacts her and everyone around her forms the crux of the story.
Siddhartha
5.6/10
Surya (Sagar) arrives in Malaysia to live in peace away from the factional feud triggered by the murder of his father (Nagineedu) and the avenging of the same by Surya. Vikram (Ajay), whose father was murdered by the hero, is boiling with rage. Surya decides to move on and it's then when he comes across Sahasra (Ragini Nandwani), a happy-go-lucky RJ.
Kaappaan
6.2/10
A Special Protection Group officer has to identify the threat to the prime minister, who he is protecting, and also the nation.
Neruppu Da
4.5/10
Guru and his friends' ambition is to become firemen, but a run in with a gangster threatens to bring their dream crashing down.
Velaikkaran
7.2/10
An enterprising youngster in a slum wants his people to lead a life of dignity, but has to take on an ambitious capitalist, who only wants to dominate his field.
Ramayya Vasthavayya
5.1/10
Nandu, a happy-go-lucky college student falls head over heels in love with Akarsha and goes all out to woo her. But only after Akarsha falls for him does she realize that he has revenge on his mind.
6 candles
7/10
Ram and Lizzy lead a happy life with their son Gautham. On the boy's sixth birthday, they take him out to the beach where he goes missing. Ram begins a long hunt for his son, which takes him all over the country and drives him to the depths of despair. Will there be redemption in the end?
Ivan Maryadaraman
3.7/10
The lead character Raman (Dileep), is an employee in a rice mill in Pune. He used to carry the rice to the mill for processing on a bicycle. Later he decides to buy an auto rickshaw and goes to his village to borrow money from his mother to buy his dream vehicle. But once he reaches his village he is shocked to find a gang of people waiting there to kill him. The rest of the event forms the crux of the plot.
