The best Monica Vitti’s comedy movies

Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin.

A Sicilian woman is dishonored by her lover, then goes to London with a pistol intending to murder him.

Construction worker Oreste and young fiancee Adelaide meet Nello, cook in a pizzeria. This love triangle often go to communist rallies, and enjoy the filthy beach of Ostia. Will the hostile environment leave a way to jealousy?

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Romantic comedy-drama about a husband who is jealous of his wife's infatuation with a Professor.

Three episodes of casual erotic character: a porn scriptwriter and his secretary, a man locked up among homosexuals, and a shy man who decides to hire a prostitute over the phone.

From the back cover: Oscar winner Keith Carradine ("Nashville," "The Duelists") stars in this sparkling romantic comedy about two unlikely lovers who find each other amid the glitz, glamour, and frenzy of the Cannes Film Festival. Carradine plays an idealistic first-time director who lives for his art--until his heart is stolen by a gorgeous, worldly wife (Monica Vitti) of an Italian producer. A passionate, made-in-Hollywood affair begins, but the couple's romance is tested as they face the temptations of fame and fortune...and try to keep their sanity amid the madness around them. With glorious scenery and a wonderful comic insider's view of the movie world, "An Almost Perfect Affair" is a complete cinematic treat.

The lives of two local professional dancers change suddenly as American soldiers stop in their town hoping to be entertained in accordance with the Broadway style. Effectively, they perform up to their expectations. However, as the army men have to march northward, their moment of glory finishes heartlessly.

Four different directors present lighthearted stories about married Italian couples and their dilemmas with jealousy, sex and love.

When his wife wants a divorce -- in preference of a romantic Frenchman -- husband Livio seemingly accepts. But when he sets up a last weekend together with his secretary and his wife's lover, the trip turns out to be part of an elaborate plan to win his wife back.

The film consists of twelve episodes, all with Monica Vitti as the protagonist.

Two racy women decide to chuck their mundane lives and go on a wild adventure.

Gerard, a young man from a "good family" dreams of becoming an actor. To do this, he follows everywhere his sister Frédérique who is infatuated with cinéma vérité.

Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. The lone female jury member compares her life to Tina's and, believing her to be innocent, sets out on her own to find a missing witness that can prove Tina's innocence.

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

A couple of young movie makers have secretly filmed for over a year what was going on in a hotel room, trying to realize a "live act" of common people living their life. They get in touch with old and money-tight producer Mengaroni to edit their movie, but while they contact the accidental actors for gathering authorization, he starts to manipulate their work.

The investigations of a private eye shake up the almost broken marriage of a middle aged couple.