The best Mojca Erdmann’s movies

Mojca Erdmann

Mojca Erdmann

29/12/1975 (48 años)
We present our ranking of the best Mojca Erdmann’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Mojca Erdmann.

Wagner: Siegfried

Wagner: Siegfried
  • Genre: FantasyMusic
  • Release: 05/11/2011
  • Character: The Forest Bird
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

Don Giovanni

Don Giovanni
8.3/10
  • Genre: Music
  • Release: 29/10/2011
  • Character: Zerlina
Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. The opera offers a rare opportunity for two baritones to star alongside one another as the title Lothario and his faithful yet conflicted servant, Leporello, as well as three memorable female roles—multifaceted women who both suffer the Don’s abuses and plot their revenge.

Beethoven · Fidelio

Beethoven · Fidelio
  • Genre: Music
  • Release: 07/12/2014
  • Character: Marzelline

Fidelio -Teatro alla Scala

Fidelio -Teatro alla Scala
  • Genre: Music
  • Release: 10/12/2014
  • Character: Marzelline
A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.

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