The best Miwako Wagatsuma’s movies
Today we present the best Miwako Wagatsuma’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Miwako Wagatsuma’s movies.
No Longer Heroine
6.3/10
Hatori Matsuzaki (Mirei Kiritani) is a female high school student. She has a crush on her childhood friend Rita Terasaka (Kento Yamazaki) and believes he will eventually choose her as her heroine, but Rita Terasaka begins dating Miho Adachi. Meanwhile, the most popular male student, Kosuke Hiromitsu (Kentaro Sakaguchi) takes an interest in Hatori Matsuzaki.
Kabukicho Love Hotel
6.9/10
This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.
The Drudgery Train
6.8/10
In this offbeat coming-of-age tale, a charming, rebellious high school dropout named Kanta befriends the kind, provincial Shoji. The two bring out the best in each other, each gaining confidence from their friendship - especially regarding pursuit of the opposite sex. The working class Kanta becomes a sort of unruly anti-hero, maintaining his pride, defiance, and self-assurance even as his prospects seem increasingly grim.
The End of Puberty
4.9/10
In a noisy classroom, biology teacher Madoka proceeds with his lesson in a small voice.He is unable to look the students square in the face nor admonish them for talking or sleeping in class. Only Tsubura looks upon him with a smile. Very much infatuated with Madoka, she records his idiosyncrasies in her biology notebook through illustrations--tapping his hand on his chin is proof that he is annoyed; messily tugging at his hair when he is at his wits' end. Tsubara, fearful of being forgotten after she dies, only eats things loaded with preservatives so that even if she dies, her body will not rot. Believing such things, Tsubara, thinking that "combining Mr. Madoka who has no one with me who needs someone would surely be perfect," gets the wild idea of a genital exchange with Madoka.
Hitokowa
6.1/10
An anthology of odd and eerie stories. Each one a contemporary precautionary tale.
Broken Pieces
6.1/10
Kaede is fed up with routine chores at her workplace and the relationship with her boyfriend. Her mood brightens when Takuya, with whom she and her brother Ryuta were befriended in childhood, returns to her home town. After reuniting, the friends spend a great time together. But when Ryuta’s girlfriend Yuki gets pregnant, confessions are made that change their relationship.
Shing Shing Shing
6.1/10
High school student Tomoyuki (Hoshi Ishida), his father (Kazuhiro Sano), and Yuki (Miwako Wagatsuma), a girl that Tomyuki likes, gather together as a family and performs road shows out of their truck. A sense of loss, farewells, and relations are all brought out.
The Pinkie
6.4/10
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
